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Throughout the last decades, engaging with cultural landscapes has been a scientific, social, ethical, political, and economic imperative that calls for novel theoretical approaches, effective strategies and, above all, participatory action. Facing this multifarious challenge, academic disciplines have to redefine their traditional methods and aims, and demonstrate an openness towards new and risky paths of scientific pursuits. The present paper arose from interdisciplinary cooperation between the humanities and social sciences with the main objective to explore the potential of cultural landscapes as resources for social innovation in rural regions, addressing issues such as out-migration of original inhabitants, unemployment, and an overaging population. Based on an overview of landscape semantics and theoretical approaches, the paper first analyzes (cultural) landscape and social innovation as applied concepts. In a second step, both disciplinary angles mingle into a joint approach. Moving from methodologies to challenges, the authors discuss the Social Grid Model, which allows for an integrated analysis of social networks, institutions, and cognitive frames. They also delve into the Structured Democratic Dialogue as a tool for the revitalization of 'active' and 'inactive' cultural landscapes by reinforcing the role of local communities. Finally, the authors investigate how such novel ideas for the promotion of tangible and intangible heritage in rural habitats can be employed by example of two intervention regions in Greece (Koumasa) and the People's Republic of China (Honghe Hani Rice Terraces), and as part of an orchestrated collective action. [ABSTRACT FROM AUTHOR]

Because of the possibilities that it opens for a variety of fields and practices, gamification has increasingly garnered significant attention. This has put it at the forefront of many significant debates around its applicability and implications. In the case of its application to cultural heritage, although there is much trailblazing to do, the body of work has been growing and the field is gaining its maturity. As such, this paper aims to take stock of the directions the field has been moving towards—to provide orientation for future work and projects that are yet to be developed. To do this, the paper aims to map out the publications in the field of gamified cultural heritage, by conducting a broader and systematic literature review. The study has found that, with regards to who the main actors with publications in the field are, a prominence of European institutions and networks, namely from Italy, Greece and the United Kingdom, can be observed. Regarding what heritage is being gamified and for what purpose, the study found a prominence of focus on historical, architectural and archeological heritage values and a very significant focus on gamification being used for motivation/engagement and for creativity enhancement. When looking at the gamification design dimensions that are given prevalence, intrinsic motivation seems to be prioritized, and, with regards to the observed target publics, tourists and visitors and seem to prevail in gamified heritage projects, with children as a specific group coming in second. Regarding technologies and tools being used, Mobile Applications, Augmented Reality (AR) and Virtual Reality (VR) are particularly prevalent. Regarding mentioned future orientations, the study found that a vast majority of papers are self-contained, both in scope of work and discussion, with most of those that do mention future directions indicating continuation and/or expansion of their specific project. [ABSTRACT FROM AUTHOR]

Serifos island is characterized by rich geodiversity, industrial and cultural heritage. The present paper focuses on the geological and mining heritage of Serifos, with the aim of integrating the island in the international environment of Geoparks, in the near future. In this geopark, Serifos can highlight the rich geological heritage of the island combined with the rich industrial heritage as expressed by mining activities since prehistoric times and the mining facilities of iron and copper mines. During the present study, six geotrails have been developed to link these cultural and ecological sites with the geological heritage. Along the routes, the geodiversity is explained, including its relationship with the surrounding biodiversity, and the historical and cultural aspects of the region. In the proposed geocultural routes (geotrails), the dialectic relationship between Humans and Nature is determined by historical conditions and by the record of the process that transforms space into a landscape. The geological-mining heritage of Serifos will attract people from all over the world with different kind of interests and will make it known to alternative tourists. The results of this paper are intended to constitute a valuable tool for enhancing and raising awareness of the geological heritage of the island of Serifos. [ABSTRACT FROM AUTHOR]

Data recordings of the movement of vehicles can be enriched with heterogeneous and multimodal data beyond latitude, longitude, and timestamp and enhanced with complementary segmentations, constituting a semantic trajectory. Semantic Web (SW) technologies have been extensively used for the semantic integration of heterogeneous and multimodal movement-related data, and for the effective modeling of semantic trajectories, in several domains. In this paper, we present an integrated solution for the engineering of cultural heritage semantic trajectories generated from unmanned aerial vehicles (UAVs) and represented as knowledge graphs (KGs). Particularly, this work is motivated by, and evaluated based on, the application domain of UAV missions for documenting regions/points of cultural heritage interest. In this context, this research work extends our previous work on UAV semantic trajectories, contributing (a) an updated methodology for the engineering of semantic trajectories as KGs (STaKG), (b) an implemented toolset for the management of KG-based semantic trajectories, (c) a refined ontology for the representation of knowledge related to UAV semantic trajectories and to cultural heritage documentation, and (d) the application and evaluation of the proposed methodology, the developed toolset, and the ontology within the domain of UAV-based cultural heritage documentation. The evaluation of the integrated UAV solution was achieved by exploiting real datasets collected during three UAV missions to document sites of cultural interest in Lesvos, Greece, i.e., the UNESCO-protected petrified forest of Lesvos Petrified Forest/Geopark, the village of Vrissa, and University Hill. [ABSTRACT FROM AUTHOR]

Architectural survey is an evolving field in architecture that has been affected during the past decade by the technological advancements in the field of 3D data acquisition. Some of these technological advancements include long-range laser scanning and photogrammetry. Laser scanning gives us an accurate documentation of the site, even in cases where parts of the building have collapsed. This paper aims to present two case studies of digital documentation through laser scanning and photogrammetry that led to the structural reinforcement and preservation of the first site and to a digital reconstruction and a mixed reality platform for the second site. The first site is an Ottoman Soap factory in Lod, Israel and the second one is an Ottoman Bathhouse in Apollonia, Greece. Both sites dealt with challenges during documentation due to a partial collapse of the building or due to dangerous structural conditions. The digital documentation methodologies allowed for a fast, accurate and comprehensive survey, as well as for a good understanding of the building and the areas which were concealed as a result of the collapse. At the same time, the digital documentation model gave the potential for the cultural heritage (CH) site to become part of the social, economic and cultural local community. [ABSTRACT FROM AUTHOR]

Spatial Augmented Reality (SAR), as implemented with projection mapping, is part of mixed-reality technology with numerous applications in the cultural domain. In museums, interactive projection mapping has been exploited to superimpose virtual content on exhibited artefacts, offering users various hybrid ways to interact with the artefacts' physical and digital content. For this reason, it has been widely used in the context of architectural heritage to promote culture and raise awareness about historical buildings or landscapes by visualizing significant elements they convey. This paper presents the design, development, and iterative user evaluation of an interactive projection mapping installation for the Mastic Museum on Chios island in Greece that promotes UNESCO's intangible cultural heritage. The installation affords tangible interaction to activate the video projections presented in a storytelling manner on a 3D-printed scale model of a representative historic settlement exhibited inside the museum. The concept of this installation aims to connect the tangible and intangible cultural heritage of mastic and the related villages with narration and vivid illustrations. Three evaluation phases took place during the development at the lab and the museum, informing UX, learning, and design considerations. [ABSTRACT FROM AUTHOR]

The evolution of the high-quality 3D archaeological representations from niche products to integrated online media has not yet been completed. Digital archives of the field often lack multimodal data interoperability, user interaction and intelligibility. A web-based cultural heritage archive that compensates for these issues is presented in this paper. The multi-resolution 3D models constitute the core of the visualization on top of which supportive documentation data and multimedia content are spatial and logical connected. Our holistic approach focuses on the dynamic manipulation of the 3D scene through the development of advanced navigation mechanisms and information retrieval tools. Users parse the multi-modal content in a geo-referenced way through interactive annotation systems over cultural points of interest and automatic narrative tours. Multiple 3D and 2D viewpoints are enabled in real-time to support data inspection. The implementation exploits front-end programming languages, 3D graphic libraries and visualization frameworks to handle efficiently the asynchronous operations and preserve the initial assets' accuracy. The choice of Greece's Meteora, UNESCO world site, as a case study accounts for the platform's applicability to complex geometries and large-scale historical environments. [ABSTRACT FROM AUTHOR]

Earth observation sensors continually provide datasets with different spectral and spatial characteristics, while a series of pre- and postprocessing techniques are needed for calibration purposes. Nowadays, a variety of satellite images have become accessible to researchers, while big data cloud platforms allow them to deal with an extensive number of datasets. However, there is still difficulty related to these sensors meeting specific needs and challenges such as those of cultural heritage and supporting archaeological research world-wide. The harmonization and synergistic use of different sensors can be used in order to maximize the impact of earth observation sensors and enhance their benefit to the scientific community. In this direction, the Committee on Earth Observation Satellites (CEOS) has proposed the concept of virtual constellations, which is defined as "a coordinated set of space and/or ground segment capabilities from different partners that focuses on observing a particular parameter or set of parameters of the Earth system". This paper provides an overview of existing and future earth observation sensors, the various levels of interoperability as proposed by Wulder et al., and presents some preliminary results from the Thessalian plain in Greece using integrated optical and radar Sentinel images. The potential for archaeolandscape studies using virtual constellations is discussed here. [ABSTRACT FROM AUTHOR]