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The article explores the role of private archives through the case study of the Tasca d’Almerita papers. It focuses, specifically, on how these archives can be used for mythopoetic and identity-building purposes, both familial and entrepreneurial. At the center, there is Giuseppe Mastrogiovanni Tasca’s operation of remodeling and organizing the Tasca d’Almerita archives, an aristocratic Sicilian family dedicated to wine production for generations, emphasizing how his work at the same time responds to needs of management and self-representation. The contribution, therefore, aims to highlight the importance of archives also as narrative devices, considering the implications of the ex post selection and organization of archives by the producers themselves, archivists of themselves.

The essay focuses on the library of the castle of Castiglione del Terziere, in the Apennines, established by the physician and bibliophile Loris Jacopo Bononi (1929-2012). It belongs to the still little-studied typology of private libraries located outside the cities, but open to public use. With authentic bibliophile passion, Bononi created a collection of books closely linked to the history of the Lunigiana area, to the authors of the Italian Humanism and Renaissance, and to Italian literature, from its origins to the Nineteenth century. The library has always been open to scholars and visitors, and in the near future the analytical cataloging of the entire book heritage would be necessary, as well as the valorisation through digital technologies.

In the wake of the new school reforms and with the conviction that learning about Italian philology at school can lead to the development of trasversal competences, this contribution aims to present the experience of the PCTO “La mano dell’autore dal cartaceo al digitale. Dai Promessi Sposi all’Infinito”, project created with the aim of educate students about textuality by means of the analysis of Alessandro Manzoni’s and Giacomo Leopardi’s work. In this paper we describe the methodologies applied during the PCTO, seen as a useful opportunity to access the works of the two great writers and to provide the students with digital skills applied to Italian literature. Thanks to these experiences, the students were stimulated to reflect on their own writing practices, also by comparing themselves with the working methods of contemporary writers, offered by the "A carte scoperte" project.

The article aims to focus attention on the study of blessed women and holy women through the documentation found in diocesan archives and belonging to the series of canonization processes. With the regulation of the process, narrative organization gave way to legal defense, confrontation to analysis, and narrative to texts that had evidentiary value, and all this gave rise to a mine of information not only about the lives of the blessed and holy women, but also about the society in which they had lived.

Il lavoro qui presentato ha previsto la realizzazione di modelli di carta de Le città invisibili di Italo Calvino [Calvino 2009], utilizzando diverse tecniche di taglio e piegatura della carta per inventare scenografie, moduli, strutture e fondali. Nella presentazione del libro l’autore sottolinea come le città siano caratterizzate da una stratificazione di tanti elementi, caratteristica che ha portato alla realizzazione di modelli attraverso diversi livelli, che vanno a definire un “microcosmo”, una città in miniatura percepibile attraverso i sensi, che diventa oggetto «da pensare, da toccare, da guardare» [Croset 1987, p. 48]. Dal punto di vista tecnico i procedimenti adottati fanno riferimento alle ricerche sul paper folding, svolte da Joseph Albers [The Public Paperfolding History Project 2023] presso il Bauhaus, a quelle del maestro giapponese Masahiro Chatani [Chatani 1984] ed al paper artist britannico Paul Jackson [Jackson 2014]. Tagli, piegature, divisioni lineari e ripetizioni simmetriche consentono di passare dalla bidimensionalità propria della carta alla tridimensionalità del modello. La ricerca e la pratica ad essa connessa qui presentate sono confluite nel workshop di orientamento Paper City Tales del Politecnico di Torino, tenuto nel laboratorio modelli MODLab Arch, elaborato dagli autori e coordinato dal prof. Marco Vitali. Questa esperienza ha visto studenti del terzo e quarto anno di scuole secondarie di secondo grado piemontesi cimentarsi con la costruzione de Le città invisibili calviniane.

This article proceeds to analyze the Atlante freddo trilogy, focusing particularly on the interplay between fictional creation and the author’s cognizance of crime chronicles explored in his non-fictional works. From this vantage point, Bernardi’s novels emerge as an experimental terrain wherein he probes conceivable narratives, employing the narrative as a pretext to delineate the locales and dynamics of contemporary society. The trilogy by Bernardi directs attention to a spectrum of concerns, encompassing the marginalization of the foreigner, the erosion of the media’s informative function, and the interrelation between minor and major criminal activities. Ultimately, a comparative analysis between Bernardi and Carlotto is introduced, primarily examining ideological and thematic alignments.

Članak donosi neobjavljene i u to vrijeme neke objavljene dokumente o Stepincu iz Meštrovićeva arhiva na Sveučilištu Notre Dame u Indiani, SAD, na kojem je Meštrović predavao od 1955. godine do svoje smrti 1962. godine. Uz ostale, donosi se Meštrovićevo pismo kardinalu Spellmanu iz 1954. godine označeno oznakom „povjerljivo“, pismo Alojzija Stepinca Meštroviću od 3. listopada 1956. godine, Meštrovićeva čestitka Stepincu u povodu njegova 60. rođendana, prepiska sa č. s. Reginom Mary C. S. J. nakon Meštrovićeva posjeta Stepincu 1959. godine. U članku su dokumenti dijelom transkribirani i prikazani su, tj. obrađeni najvažniji sadržaji. Dokumenti su nastali u razdoblju od 1949. do 1960. godine. Dokumentacija pokazuje da je Ivan Meštrović iznimno poštovao Stepinca te ga je smatrao nevinim u odnosu na sva nedjela koja su mu se u montiranom sudskom procesu i u javnosti stavljala na teret.

Studia austriaca XXXII (2024) - Call for Papers

This comment on Bottaccioli & Bottaccioli’s (2024a) article critically analyzes Franz Alexander’s role in developing contemporary psychosomatics in both its innovative aspects and limitations. On the one hand, Alexander contributed to emancipating the explanation of physical symptoms from the classical approach of the early 20th century stiffened on the model of hysterical conversion and promoted the organization of the international psychosomatic movement, including the Italian one. On the other hand, his limitations mainly concern the theoretical approach typical of 20th century psychoanalysis: adopting a one-dimensional model centered on intrapsychic conflict and the indeterminacy – necessary for the time – of a biological “X” factor as mediator. Instead, in the second half of the 20th century, a deficit-centered model of explanation (e.g., alexithymia) and complexity (e.g., biopsychosocial model) emerged, in which various moderating biomedical, psychological, and socio-cultural factors assume different relative weights in the explanation of physical illnesses and the clinical management of patients. [ABSTRACT FROM AUTHOR]

Sixty years after the death of Franz Alexander, it is necessary to investigate what is alive and what is dead in his thought about psychosomatics, focusing in particular on the notions of emotion and vegetative neurosis as central to his model of explanation. It is then worth noting, in the light of the developments after Alexander, the today’s difficulty in supporting psychosomatics as an autonomous discipline, to the point of questioning the legitimacy of the expression itself: Bottaccioli & Bottaccioli’s (2024a) proposal to identify it with Psycho-Neuro-EndocrineImmunology (PNEI) must be measured in this problematic context. In any case, the always valid need remains, already supported by Alexander, for a unitary, “holistic” consideration of the human being, sick and healthy. However, this is a paradigm that has to be justified and clarified conceptually in the actual role it plays as an inspirer of research and specific explanations. [ABSTRACT FROM AUTHOR]

The problems posed by Leonardo’s pathographies written by Freud are examined. The historical path of the problem of the relationship between genius and psychopathology is reconstructed, showing that psychoanalysis fits into a very active vein at the end of the 19th century, expressing different theoretical approaches with which Freud relates. The interest for the problem then continued, with alternate answers, until the current days. The distortions made by Freud in Leonardo’s pathographical description are examined; these distortions are extensively examined by several authors, which, however, is not distant from what Freud implements in his other works, nor from what other pathographists of the time did. It is a common behavior in the history of science and well known in modern epistemology that identifies in the development of theories also the importance of rhetorical tools with which scientists support them. It is emphasized that one cannot read particular psychological aspects in these Freudian behaviors, making in fact a pathography of the author of pathographies, but only lead his work to the coherence of the historical contexts in which he operates. [ABSTRACT FROM AUTHOR]

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Il contributo si concentra su una peculiare categoria di modelli analogici realizzati in carta (movable) presenti nella trattatistica scientifica già a partire dal XIII secolo: se le prime pagine animate, capaci di mostrare modelli tridimensionali, sono inizialmente a supporto di svariati ambiti del sapere (gnomonica, prospettiva, astronomia, crittografia, atre della memoria, anatomia, ecc.), a partire dal XVIII secolo diventano oggetti d’intrattenimento, più spiccatamene ludici o a carattere divulgativo, prediligendo comunque fino al XIX secolo inoltrato un pubblico adulto. I modelli in carta ripiegabili a formare volumi interessano soprattutto ambiti del sapere legati alla geometria e alla gnomonica, quasi a denunciare come la parola scritta e il disegno risultino insufficienti per la descrizione degli enti complessi nello spazio. Una delle carto-tecniche del movable, il pop-up, è stata oggetto di un workshop, in parte ispirato alle esperienze della Origamic Architecture. L’esperienza didattica verrà descritta da un lato insistendo sull’importanza di poter ottenere un modello non del tutto prevedibile attraverso operazioni di taglio e piegatura e, secondariamente, sulla successiva rappresentazione del medesimo modello grazie ai metodi del disegno e del rilievo. L’esperienza ha creato indirettamente dei legami con la materia della composizione, passando idealmente dalla forma astratta ad una sua materializzazione in ambito costruttivo.

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The paper focuses on the contribution of the lexicon of material culture of seafaring origin in the irradiation of the idiomatic language in Italian. After a basic overview of some tools of the sea (hook, anchor, net, oars) from which very common figurative expressions stem, the paper deals with abboccare all'amo, from which interesting historical-etymological features with many semantic implications appear. The investigation shows the lexical and semantic evolution that characterises the passage from material culture word of the seafaring field (concrete sense) to figurative language, with a special focus also on the semantics of verbs frequently used not only in the idiom under investigation (abboccare all'amo), but also in other idiomatic expressions of Italian. By comparing the earliest occurrences of phraseological uses related to amo in lexicographic repertories, such as TLIO and GRADIT, but also in sectorial dictionaries on idioms, some interesting diatopic and diachronic information on lexical and synonymic variants occurs. [ABSTRACT FROM AUTHOR]

The topic of the paper is the comparative and contrastive study of some selected paremiological units in the field of foreign language teaching. The starting point is the paremiological minimum (PM), which is one of the key concepts of current paremiodidactics and a useful tool in teaching L1 as well as L2/FL. The attention is focused on Italian and Slovak, two languages having different origin, but sharing a common European geographical and cultural context, including the most important literary sources. Since Italian does not currently have (apart from some partial attempts) a PM, the PM available for Slovak is taken as a starting point. The goal of the paper is to examine a group of animal proverbs and identify the most appropriate correspondences in Italian. Study contributes to a deeper knowledge of proverbs as well as cultural knowledge in Slovak - Italian perspective. [ABSTRACT FROM AUTHOR]

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Copyright of Agathon: International Journal of Architecture, Art & Design is the property of DEMETRA CE.RI.MED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Agathon: International Journal of Architecture, Art & Design is the property of DEMETRA CE.RI.MED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Agathon: International Journal of Architecture, Art & Design is the property of DEMETRA CE.RI.MED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Rivista Italiana di Conflittolgia is the property of Edizioni Labrys and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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It is customary to think of utopia as a genre that deals mostly with socio-political issues and that takes a revolutionary approach to a status quo. This paper reflects on the impossibility of identifying a common and original aim behind the utopian genre, especially that of cognitive estrangement, if understood as a critical-dialectical, liberating and dubitative epistemological approach. The analysis of a utopian novel by Argentinian writer Eduardo Holmberg shows that the presence of estranging procedures does not necessarily lead to scepticism about the 'normality' of social facts. On the contrary, it can serve the purpose of persuading about the existence of a more valid and normal social order compared to the existing one. The paper proposes then a key to interpret utopian texts in relation to the problem of evil and suggests expanding the meaning of the word 'estrangement' to take into account the different aims which can coexist within the same literary procedure. [ABSTRACT FROM AUTHOR]

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(Series Information) European Papers - A Journal on Law and Integration, 2023 8(3), 1077-1103 | European Forum Insight of 8 January 2024 | (Series Information) European Papers (News of dd month yyyy) | (Table of Contents) I. Introduction - II. From German Competition Decision to EU Judgement - II.1. Bundeskartellamt Decision B6-22/16 of 6 February 2019 - II.2. Judgment of the Court (Grand Chamber) of 4 July 2023 - III. Comment - III.1. Something new: relations between competition law and data protection - III.2. Something borrowed: Meta v Bundeskartellamt and the European Commission - III.3. Something old: arts 6 and 9 GDPR - IV. Concluding remark. | (Abstract) Meta v Bundeskartellamt is the culmination of an issue years in the making: the relation between data protection and competition. In contention is the Bka’s finding that Meta’s practice of combining personal data across its many services, in addition to data collected through the integration of its services into third-party websites and apps, constitutes a violation of competition law. In this case, the ECJ holds that a competition authority is at liberty to consider GDPR violations as a “vital clue” to a finding of abuse of dominance, provided it first requested the cooperation of the competent data protection authorities. Furthermore, it finds that, apart from consent, no legal bases from the GDPR justify Facebook’s data processing. Through the principle of sincere cooperation, the Court opens the door to further integration of data protection and competition, acknowledging that data collection is at the core of digital market companies’ business models. Although the case is based on German national law, there is reason to believe that the same line of reasoning could also apply to the European Commission, thus expanding its options in digital market oversight. In contrast, the Court’s analysis of the GDPR is not quite as innovative, but still helpfully lists and reaffirms existing law.

Tourism communication, especially since the digital turn, has registered several attempts to open to new forms of multilingualism. For instance, the traditional multilingual experience offered by guided tours and audio guides has now been enhanced by social networking tools. Recent research points to the need of interdisciplinary work at the crossroads of linguistics, media sciences and museum studies to investigate communication strategies and linguistic devices by means of which an international audience of tourists can be addressed and get involved in museums in the digital age. The present paper illustrates the first findings of the project "Museo poliglotta", a project run by two universities in the Italian towns of Bergamo and Brescia in cooperation with local museums with the goal of producing digital multilingual contents for international museum visitors. The empirical part of the paper describes a workshop activity in which students developed Instagram reels in Italian, German and English on the figure of the well-known Italian composer Gaetano Donizetti. A number of observations lead to the conclusion that synergies between language research and foreign language teaching on the one hand and museum institutions on the other can bring about important benefits for all parties involved, in particular the possibility to offer professionalising training in the academic world and stimuli to innovate and improve multilingual communication in the museum sector. [ABSTRACT FROM AUTHOR]

Introduction: the increase of Mean Corpuscolar Hemoglobin Concentration (MCHC) in the Complete Blood Count (CBC) test is a complex issue, deserving great attention. Erytrocytes (RBC) count by impedance and the photometric hemoglobin (HGB) measurement can be influenced by both biological variables (cold agglutinins, lipemia, icterus, hemolysis, RBC alterations) and pre-analytical factors (collection, storage and transport of the sample). In this paper, the Complete Blood Count-Optical (CBC-O) algorithm is evaluated for the identification of the cause of the MCHC increase and for the suggested corrective action to correctly report the CBC parameters. Methods: 255 samples, collected with K2-EDTA anticoagulant, for the CBC test were used. The algorithm was triggered after the reticulocytes reflex testing (XN-RET) using the XN hematology analyzer (Sysmex), when MCHC was >365 g/L. The CBC-O tool uses a number of RBC and HGB measures and indices. Results: the samples were classified by the CBC-O algorithm into 5 groups according to the causes of the MCHC increase: cold agglutinins (n=70), cold agglutinins and HGB interferences (n=10), HGB interferences (n=6), RBC pathologies or hemolysis (n=32) and unclear situations with normal RBC profile (n=137). Discussion: MCHC elevation is a rare occurrence in routine daily practice, but it needs to be managed properly. The CBC-O algorithm is a useful tool since, in a short time, it allows to give indications on the probable causes of the increase and to report correct erythrocyte indices, without the need to treat the sample, which would otherwise lengthen the turn around time. [ABSTRACT FROM AUTHOR]

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3D modelling represents a fundamental survey technique to represent archaeological evidence. It is particularly important to draw and analyse engravings because it is more descriptive and, somehow, objective than traditional drawings, which result interpretative and not replicable, becoming a debatable and often controversial matter. A technique able to verify the overlaying of signs is essential to establish the relative sequence, thus the chronology of engravings. However, there are several techniques and they provide different results. The paper tries to empirically compare SfM and PS methods to understand how they work on surface representation and which are their specificities in a difficult context such as the Pianaùra engravings. The aim of the paper is to verify the accuracy of the techniques. Three paths are pursued: the first analyses pure quantitative data, such as counting the number of points or faces built and so on; the second aims to verify quantitatively distortions by geometric measurements analysis; the third is a visual quality test, which focuses on users' perception of 3D models. It can be concluded that the distinct fields of application and the diverse purposes of the research enhance the different specificities of the two techniques. [ABSTRACT FROM AUTHOR]

The Roman villa at Matrice, located in Molise, central Italy, offers a rare opportunity to reflect on a typology of site that is sparsely documented. The building at Matrice presents distinctive elements of a rural villa of the 1st century AD, dedicated to agricultural, pastoral and wine production activities. However, these elements are adapted here in a decentralized area of the Roman State, where the local elites did not exhibit the same opulence of those belonging to major urban centres. The villa displays peculiar aspects and reflects local economic, social, and geographical conditions. After the excavation of the 1980s, archaeological research at Matrice was renewed in 2017 by a joint team from the British School at Rome, King's College London, and the Ashmolean Museum of Oxford. The project used a preliminary geophysical survey to explore the area around the site, discovering new archaeological features. The following excavation season assessed the geophysical results and provided significant stratigraphic information. The paper focuses on the methodological aspect of the research, comparing the geophysical results with data from the excavation. It also underlines the potential implications of the new evidence for the understanding of the site. [ABSTRACT FROM AUTHOR]

The paper presents the use of the free open source software uMap-OSM as a solution for the online implementation and dissemination of the Community Archive of Monte Baldo, a project consisting in the participatory identification and cataloging of Cultural Heritage from this territory located in the provinces of Trento and Verona. The paper offers a concise comparison of user-friendly alternatives and evaluates strategies for database creation using uMap-OSM. The final section validates the selected methods and customization plans, aimed at fulfilling divulgation, accessibility and sustainability goals, while adhering to archaeological documentation standards. The Community Archive of Monte Baldo also aligns with the objectives of local authorities and stakeholders in land-use planning and human development, contributing to the preparation of a UNESCO candidacy dossier for the Monte Baldo territory. [ABSTRACT FROM AUTHOR]

This paper presents the database and the open access georeferenced online map of the CAMIS project of the University of Padua, which aims to catalogue and analyse late antique and medieval funerary contexts as a response to the scattered documentation and partial publications on this subject. After describing the structure and software used for the database and the online map, some numbers are presented relating to the more than thousand sites already entered in the system and the kind of results that can be advanced, underlining some of the problems encountered. The paper calls for the optimization of data management to foster open archaeological research, highlighting the need for a unified approach to study complex historical phenomena. The CAMIS database, incorporating standardized vocabularies for systematic and statistical analysis, is vital for unlocking new research avenues and addressing gaps in current knowledge. The project exemplifies the power of open science, promoting collaboration and enriching archaeological research with a rapidly growing, vast dataset. [ABSTRACT FROM AUTHOR]

The paper is dedicated to the Geographic Information System developed for the filing and the analysis of Pontecagnano necropolises, where over 10100 tombs dated from the Etruscan to the Samnite phase (9th-3rd century BC) have been excavated so far. The first version of the GIS was developed between 1999 and 2000 and initially tested on an area of the Western necropolis. It consists of an alphanumeric descriptive database, developed using Microsoft Access 2000, linked to a cartographic section implemented with the MapInfo software. The paper concludes with a preliminary presentation of the update of the information system, which is going to migrate to an open-source software. [ABSTRACT FROM AUTHOR]

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In the introductory article to this special issue, the two editors first provide a brief insight into how it arose and then give an overview of the contents of the individual papers, all of which are dedicated to phraseography or metaphraseography. These two fields of linguistic research belong to both phraseology and (meta-)lexicography and deal with the inclusion of phrasemes in dictionaries and the corresponding practical and theoretical issues. The articles also have in common that they focus on various diatopic Romance varieties spoken in Italy (Genoese, Trentino, Piedmontese, Tuscan, regional Italian of Rome, Sardinian, Catalan of Alghero), Croatia (Istriot), Spain and Latin America (regional varieties of Spanish). Since the term phraseme is used in a broad sense in this publication, numerous different phraseological categories are discussed in the papers, including, for example, syntagmatic verbs and partially lexically filled constructions, in addition to more classical categories such as idioms, proverbs and collocations. Finally, it will be briefly argued why this special issue, which is inspired by the two research projects GEPHRAS and GEPHRAS2, can be regarded as particularly innovative. [ABSTRACT FROM AUTHOR]

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