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The article delves into the collection of texts related to Japan within Paul Claudel's complete works and supplementary volumes, discussing their organization and significance in understanding Claudel's relationship with Japan. It examines Claudel's travel to Japan in 1898 as a young diplomat and his subsequent appointment as the French ambassador to Japan in 1921, highlighting his perspectives on cultural exchange and diplomatic initiatives.

Copyright of Ebisu is the property of MAISON FRANCO-JAPONAISE, Bureau français and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ebisu is the property of MAISON FRANCO-JAPONAISE, Bureau français and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Several French cartoons making fun of the Fukushima nuclear disaster have caused public outrage in Japan. While nuclear energy is often considered a sensitive issue iii the country. Japanese press cartoonists have nevertheless played with it in various ways since the post-war period. Through the analysis of cartoons and comic strips (four cell mangas) published in the daily newspapers Asabi, Mainichi. and Yomiuri at seven key dates of the nuclear era— from the atomic bombing of Hiroshima (1945) to the nuclear accident of the Fukushima Daiichi plant (2011)-this paper analyzes how press cartoons were able to provide an original perspective on nuclear news in Japan. [ABSTRACT FROM AUTHOR]

Copyright of Canadian Journal of Disability Studies is the property of Canadian Disability Studies Association and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Sur le Journalisme, About Journalism, Sobre Jornalismo is the property of Sur le journalisme, About journalism, Sobre jornalismo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ebisu is the property of MAISON FRANCO-JAPONAISE, Bureau français and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ebisu is the property of MAISON FRANCO-JAPONAISE, Bureau français and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Industrial Relations / Relations Industrielles is the property of Universite Laval, Department of Industrial Relations and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Annee Sociologique is the property of Presses Universitaires de France and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In Japan, the spirits separated at death from the body are divided into two categories: benevolent spirits (nigitama) and malevolent spirits (aratama). It is the Japanese belief that neglecting to worship the ancestors' spirits can have evil consequences, while paying due respect to vengeful spirits can turn them into lucky gods. Historically, spirits as ghosts are first mentioned during the Heian period in works such as Nihon Ryöki or Konjaku Monogatari. Later, the word goryo was introduced to designate the spirits of powerful men who died bearing grudges or a desire for revenge and who became ghosts causing epidemics and destruction. The beginning of the Edo period marked the golden age of the kabuki theater, when ghost stories became popular. The development of the Japanese theater went hand in hand with the development of ukiyoe (woodblock prints), as the artists started to create more and more ghost images. This paper focuses on the development of particular ghost motifs and themes, as well as on the evolution of the ghost imagery along centuries in Japanese culture. [ABSTRACT FROM AUTHOR]

Copyright of Revue Tiers Monde is the property of Librairie Armand Colin and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ebisu is the property of MAISON FRANCO-JAPONAISE, Bureau français and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revue Tiers Monde is the property of Librairie Armand Colin and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article focuses on the presence of contagion effects during the Subprime crisis. It presents a test on the non-linearity of the mechanisms spreading shocks that is interpreted with model of long term interdependence. It informs of application of this methodology to the stock market and analyzes that France, Germany, UK and Japan are contaminated by contagion effects.

Copyright of Revue Internationale de Securite Sociale is the property of Wiley-Blackwell and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)