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In the 1950s and 1960s, the modern Japanese state employed overseas cultural promotion as a way to maximise its interests and image not only in international contexts but also at home. By juxtaposing the Takarazuka Revue’s performances in the United States and Japan during the postwar period, this paper argues that the overseas promotion of this Japanese theatre troupe both depended upon and reinforced the Japanese populace’s nationalistic pride in its culture. The paper also addresses the ways in which the Japanese government used Takarazuka’s theatrical presentations as a means of pursuing its domestic and diplomatic agendas: improving Japan’s international position by proposing shared aspects of popular culture with the US and increasing its sense of nationalism by propagating cultural pride. In doing so, the paper explicates the ways in which Japanese popular cultural considerations interfaced with political concerns in the shaping of postwar Japan’s national identity. [ABSTRACT FROM PUBLISHER]

With East Asian international relations in flux since the end of the Cold War, Japan's security role is critical in influencing the region's future. In this article, the author examines Japanese opinion leaders' attitudes toward relations with Asian countries, the U.S.-Japan security alliance, the role of the Japanese Self-Defense Forces, and Japan's culpability for the Fifteen-Year War of 1931-45. The four major contemporary security strands in Japan—pacifism, mercantilism, normalism, and nationalism—are analyzed. The author argues that normalism continues to rise in the post-Cold War era as the rightist conservatives (normalists) gradually gain predominance over the moderate conservatives (mercantilists). [ABSTRACT FROM AUTHOR]