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Start Over Topic poetry (literary form) Publication Year Range Last 50 years Language spanish Journal rilce. revista de filologia hispanica
14 results

1. La (r)evolución de los tópicos: lecturas del locus amoenus y el beatus ille en la poesía española actual.

Author

BAGUÉ QUÍLEZ, LUIS

Subjects
CLASSICAL antiquities, READING, INFLUENCE (Literary, artistic, etc.), SPANISH poetry, TWENTY-first century, POETRY (Literary form), AESTHETICS, MODERN literature, SPANISH language, ANACREONTIC poetry
Abstract

Copyright of RILCE. Revista de Filología Hispánica is the property of Servicio de Publicaciones de la Universidad de Navarra, S.A. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2023
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2. El neogongorismo vanguardista de El pez y la manzana, de Ricardo E. Molinari.

Author

FERREIRA PRADO, MARÍA CECILIA

Subjects
STANDARD language, SURREALISM, POETS, ORIGINALITY, POETRY (Literary form)
Abstract

Copyright of RILCE. Revista de Filología Hispánica is the property of Servicio de Publicaciones de la Universidad de Navarra, S.A. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2023
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3. Poesía de Jovellanos en el fondo Fermín Canella: un nuevo testimonio de la sátira III y un poema erróneamente atribuido.

Author

OLAY VALDÉS, RODRIGO

Subjects
PUBLIC libraries, SATIRE, TEXTUAL criticism, AUTHORSHIP, POETRY & children, MANUSCRIPTS, COPYING, POETRY (Literary form)
Abstract

Copyright of RILCE. Revista de Filología Hispánica is the property of Servicio de Publicaciones de la Universidad de Navarra, S.A. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2022
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4. Reflexiones hermenéuticas en torno a Peter Cole.

Author

DE MORALES MERCADO, CRISTINA ALVAREZ

Subjects
HERMENEUTICS, ARABIC poetry, HEBREW poetry, POETRY (Literary form)
Abstract

Copyright of RILCE. Revista de Filología Hispánica is the property of Servicio de Publicaciones de la Universidad de Navarra, S.A. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2019
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5. Poemas y problemas de un libro único: primeros versos de Francisco de Trillo y Figueroa en las Novelas de Ginés Carrillo Cerón.

Author

MADROÑAL DURÁN, ABRAHAM

Subjects
CORPORA, AUTHORS, POETRY (Literary form), FICTION, NOVELLAS (Literary form), BAROQUE literature
Abstract

Copyright of RILCE. Revista de Filología Hispánica is the property of Servicio de Publicaciones de la Universidad de Navarra, S.A. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2022
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6. Las cañas se vuelven lanzas en Arauco: un torneo indígena en el poema anónimo Las guerras de Chile (cantos IX y X).

Author

MATA INDURÁIN, CARLOS

Subjects
EPIC poetry, EPIC literature, POETRY (Literary form), CLASSICAL literature, MAPUCHE literature
Abstract

Copyright of RILCE. Revista de Filología Hispánica is the property of Servicio de Publicaciones de la Universidad de Navarra, S.A. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2020
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7. El Diario de un poeta recién casado de Juan Ramón Jiménez: el impacto de la ciudad neoyorquina, fragmentación y mestizaje entre géneros.

Author

GÓMEZ TRUEBA, TERESA

Subjects
NEW York (N.Y.) in literature, MODERNITY in literature, POETRY (Literary form), APHORISMS & apothegms
Abstract

Copyright of RILCE. Revista de Filología Hispánica is the property of Servicio de Publicaciones de la Universidad de Navarra, S.A. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2016
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8. Forma y abstracción en la poesía de José Ángel Valente.

Author

AGUIRRE MARTÍNEZ, GUILLERMO

Subjects
20TH century Spanish poetry, ABSTRACT thought, SIGNS & symbols, IMAGINATION, HISTORY, POETRY (Literary form), LITERARY criticism
Abstract

Copyright of RILCE. Revista de Filología Hispánica is the property of Servicio de Publicaciones de la Universidad de Navarra, S.A. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2016

9. LAS IDEAS POÉTICAS DE JUAN VALERA EN LOS "ESTUDIOS CRÍTICOS.".

Author

HERNÁNDEZ, RIVAS

Subjects
*CRITICISM, *ROMANTICISM in literature, *NEOCLASSICISM (Literature), *POETRY (Literary form)
Abstract

This paper analyzes the ideas about literary theory by Juan Valera in is Estudios críticos sobre literatura, política y costumbres de nuestros días, published in 1864. Mimesis, anamnesis, criticism of the Neoclassicism and Romanticism, literature aesthetic purpose, l'art pour l'art theory or verisimilitude, are among the concepts studled in this paper. [ABSTRACT FROM AUTHOR]

Published
2008

10. EL "JOCOSO NUMEN" DE SOR JUANA, DESDE LA TEORÍA DE LOS GÉNEROS SATÍRICOS EN EL RENACIMIENTO.

Author

Parga, Fernando Plata

Subjects
*VERSE satire, *SATIRE, *BAROQUE literature, *RENAISSANCE literature, *POETRY (Literary form), NEW Spain
Abstract

The Mexican writer Sor Juana Inés de la Cruz (1648?-1695) used a variety of satirical genres in her poetry. This paper analyzes how her poetry stems from the practice of Classical and Early Modern poets, as well as from the theoretical discussions on satire in Europe during the Renaissance and Baroque periods. This paper considers first the availability of these books in libraries and bookstores of 17th-century New Spain. It then offers an analysis of the generic features in Sor Juana's poetry that reveal a dialogue with the Classical and Early Modern tradition. [ABSTRACT FROM AUTHOR]

Published
2007

11. LA IMAGEN DEL HUMANISTA TEORIZADOR: POÉTICA METAPOÉTICA DE LOPE DE VEGA (EN FILIGRANA SONETÍSTICA).

Author

NOVO, Yolanda

Subjects
*SPANISH poets, *POETRY (Literary form), *CLASSICAL Period Spanish literature
Abstract

Among the many masks that Lope de Vega adopted is that of the theorizing subject who reflects on his own poetry. This paper focuses on the sonnets of the Rimas de Tomé de Burguillos in order to study how Lope utilizes this mask as a means of a metaphysical self-interrogation, in a serious tone or with irony, on the nature and pragmatics of poetry. [ABSTRACT FROM AUTHOR]

Published
2010

12. "Érase una montaña de violetas" : muerte, deseo, lenguaje en el Diario de la muerte de Sara de Ibáñez.

Author

SALVI, LUCA

Subjects
LITERARY criticism, POETRY (Literary form), URUGUAYAN poetry, DESIRE in literature, SUBJECTIVITY in literature, DEATH in literature
Abstract

Copyright of RILCE. Revista de Filología Hispánica is the property of Servicio de Publicaciones de la Universidad de Navarra, S.A. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2015
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13. Modalidades de la heteroglosia hispanoitaliana en la lírica de inspiración petrarquista: Francisco de Figueroa, poeta de las dos culturas.

Author

ARGELLI, ANNALISA

Subjects
BILINGUALISM & literature, SPANISH poetry, Classical Period, 1500-1700, INTERTEXTUALITY, ITALIAN language, ITALIAN sonnets, LITERARY criticism, POETRY (Literary form), HISTORY
Abstract

Copyright of RILCE. Revista de Filología Hispánica is the property of Servicio de Publicaciones de la Universidad de Navarra, S.A. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2014
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14. LA RUDA ZAMPOÑA DE POLIFEMO: AUTORREPRESENTACIÓN Y PARODIA EN LA "FÁBULA DE POLIFEMO Y GALATEA" DE GÓNGORA.

Author

VÉLEZ-SAINZ, Julio

Subjects
*LITERARY criticism, *POETRY (Literary form), *MUSICAL instruments in literature, *SPANISH poetry, Classical Period, 1500-1700, *PARODY in literature
Abstract

Like other Baroque poets, Góngora in his Fábula de Polifemo y Galatea chooses one of his characters to represent his art and to represent himself as a poet. The figure of the monstruous giant Polyphemus --the ironic and desacralizing symbol of Góngora's art-- enters in contrast with other figures, like Apollo and Orpheus- themselves symbols of the art of Lope- that at first glance might seem more appropriate for self-aggrandizement. This paper focuses specifically on the cultural history of the pan flute to demonstrate the appropriateness of Góngora's choice of this instrument for his character Polyphemus, at the same time highlighting the irony of the author's own affirmation that he uses the pan flute to sing his poem. By means of this instrument, the poet identifies himself with the character: the monstrosity of Polyphemus, the exaggeration of his musical instrument, and the brutality of his voice become a mirror --perhaps an inverted, although ultimately amusing and parodical one-- of the poetic project of the Cordoban. [ABSTRACT FROM AUTHOR]

Published
2010