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Some ancient Chinese paper artifacts dyed with amur cork tree bark extracts are currently preserved to different extents in museums and libraries worldwide. As traditional natural plant dyes, the long-term performance of the amur cork tree bark extract-dyed handmade paper has been questioned under a preserved environment. The photodegradation process of the extract-dyed papers was examined under accelerating artificial UVA irradiation conditions according to China national standard-paper and board- accelerated aging (exposure to light). Changes during aging were analyzed by optical observation and scanning electron microscopy (SEM), X-ray diffraction (XRD), thermogravimetric analysis (TGA), Fourier transform infrared spectrometry (FTIR), pH, and tensile strength and folding endurance tests. The results showed that the main components from extracted dyes played an important role in affecting the photodegradation properties of dyed paper. The changes in surface color, pH, morphology and mechanical properties after the artificial UVA accelerated degradation tests revealed that a suitable concentration of the extract dyes for maintaining the long-term irradiation stability of the paper is important. [ABSTRACT FROM AUTHOR]

The coating technique, supposedly invented by Chinese papermakers no later than the 3rd century AD, greatly improved paper sheets' qualities of color, texture, writability, and printability. Alongside the dispersal of papermaking and surface-treatment techniques beyond China, coated papers were manufactured and used in many other regions of the world. Understanding the manufacture of coated papers, therefore, is crucial for perceiving how surface treatments were developed to meet the need for paper with enhanced properties. However, the characterization of coating and coating pigments on ancient Chinese papers has long remained an unsolved issue, and previous studies on this topic have often produced inconclusive results. To explore a non-invasive methodology that can more reliably characterize coated papers and the coating pigment on them, this article presents the results of a pilot study that applied micro-computed tomography (micro-CT) and Raman spectroscopy to samples of three Qing Dynasty (1644–1911 AD) papers and two handmade papers manufactured in China in the 1990s. Micro-CT revealed the coating layer(s) on Lajian (waxed coated paper) and Lengjinjian (gold-dusted paper) of the Qing Dynasty and characterized the modern raw xuan and bamboo papers as uncoated. Raman spectroscopy, together with handheld X-ray fluorescence analysis, identified the mineral-based pigment in the coating layer, suggesting the use of lead white or kaolin as the coating pigment. Additionally, Raman analysis confirmed the use of other mineral pigments (red lead and cinnabar), beeswax, and organic dyes (gamboge, kermesic acid, and possibly purpurin) in the manufacture of Lajian and Lengjinjian papers. The combination of micro-CT and Raman spectroscopy, it is therefore suggested, is a practical, more reliable approach for non-invasive investigation of coating and coating pigments on ancient Chinese paper specimens. [ABSTRACT FROM AUTHOR]

Natural yellow plant dyes and traditional medicines were used widely on historical papers in ancient China for religious reasons and conservation considerations. This study aims to evaluate some traditional yellow botanical sources of dyes that contain different chemical colorant compositions in order to understand their effects on the properties of traditional handmade paper. The physical and chemical changes in paper specimens treated with plant dyes were studied by examining properties such as the color, pH, thermogravimetric (TG) characteristics, tensile strength, folding endurance and microstructure by scanning electron microscopy (SEM). The results indicated that different colorants had different toning effects and that the main components, including carboxyl and ketone groups, could affect the paper stability at high temperatures. The results also revealed that the mechanical properties of paper specimens were improved after treatment with plant dyes. The significant improvements in the tensile strength and folding endurance and the slightly higher decomposition temperature of Amur cork tree-dyed paper could be ascribed to the strong interaction between the colorants' main components and the fibers. The scientific evaluation of the property changes is therefore valuable information for weighing the advantages and disadvantages of the various yellow toning materials for paper conservation treatment. [ABSTRACT FROM AUTHOR]

The Ming Great Wall Military Defense System is the most complete ancient military cultural heritage in China, which is of great significance to the study of China's ancient military defense mechanism and pattern. Military settlement is an important carrier of this mechanism. The estimation and in-depth understanding of its value can further excavate the profound connotation of the military defense system and the Great Wall spatial pattern in the Ming Dynasty. This paper adopts the AHP-CRITIC weighting approach to determine the weights of the historical value, scientific value, social value, cultural value and artistic value of the settlement heritage, so as to construct the value evaluation model of military settlements, and takes 34 Ming Great Wall military settlements in the Liaoxi Corridor as an example for evaluation. The results of the evaluation identified the priority settlements for conservation and development, and also explored their relationship with historical status, urbanization processes and official policies. The evaluation model constructed in this paper has a certain universality, and can also be followed in the evaluation of other military settlements in the Ming Great Wall Defense System, so as to obtain the overall cognition of the settlement system. [ABSTRACT FROM AUTHOR]

In the early twentieth century, traditional handicraft was challenged by the latest technology in China. It is reflected by ethnic costumes combining new and old, as in the waistcoat of this study. This waistcoat made at Gyalrong Tibetan area in Sichuan, China, displays unique local features in terms of its brilliant colors and comprehensive craftsmanship. This study employs techniques such as optical microscopy, infrared spectroscopy, scanning electron microscope and high performance liquid chromatography-mass spectrometry to investigate various aspects of this waistcoat, including its fabrics and dyes. The results showed that the waistcoat was primarily made of cotton and silk, with a bamboo paper layer, and that silk as well as twisted gold and silver threads were employed for the embroidery. Various embroidery techniques were applied, with patterns, color combinations, and characteristics being consistent with those of Tibetan and Shu (蜀) embroidery. In terms of dyeing technology, a wide range of colors were achieved through multi-step dyeing processes using natural dye stuffs like pagoda bud, and synthetic dyes like magenta. These findings indicates that modern technologies were well integrated into traditional garment manufacture in the early twentieth century in China. [ABSTRACT FROM AUTHOR]

In this paper, we analysed the temporal and spatial distributions of ancient archaeological sites in China as well as their influencing factors. Our aim was to reveal the developmental trajectory of Chinese civilisation and to explore the natural and cultural factors affecting human distribution, with the goal of providing insights for the conservation and development of ancient relics. We employed spatial analysis methods using ArcGIS 10.8 software, such as kernel density analysis and trend surface analysis, to analyse 1194 historical ancient sites listed in the National Cultural Relics Protection Units of China. The research findings are as follows: (1) the distribution of ancient sites demonstrates an agglomerative spatial pattern. The nearest neighbour index (R < 1) for sites from various historical periods indicates an agglomerative spatial distribution of ancient sites across historical periods, with the clustering degree being relatively poor for sites from the Wei-Jin, Northern and Southern Dynasties and in the Ming and Qing periods. The regions with a concentration of ancient sites are the middle and lower reaches of the Yangtze River and Yellow River Basins. Furthermore, there is a higher abundance of ancient sites in the southeastern region than in the northwestern region. (2) The distribution of ancient sites in different historical periods also exhibits an imbalance, with an overall decreasing trend in the number of ancient sites in China. Notably, more ancient sites were found for the prehistoric and pre-Qin periods. The temporal trend of ancient sites during historical periods follows a trajectory from northeast to northwest, northeast to southwest, etc. (3) The temporal and spatial distributions of ancient sites are influenced by multiple factors, including social development, the natural environment, geographical elements, and socioeconomic and political factors. Finally, based on an understanding of the spatiotemporal distribution pattern of ancient sites and the factors that influence this pattern, recommendations for conservation and development can be proposed and supported by modern technological methods, with the aim of offering insights for the protection and sustainable development of heritage sites. [ABSTRACT FROM AUTHOR]

Traditional Chinese villages act as the essential carriers of China's rural heritage. Such villages are considered to retain living practices of intangible heritage through know-how, artistic and folk customs, as well as a well-preserved architectural appearance. However, their conservation is at stake due to degradation, abandonment, and urbanization. Spatial cognition is one way of bringing people to the matter of what is important to conserve (attributes) and why they are important (values). This is done by analysing how people perceive and value rural heritage. Traditional methods of gathering spatial cognition data, such as laborious fieldwork or subjective qualitative analyses, often fall short of providing a holistic representation of real-world experiences. This article presents an innovative method for analysing cognitive features in traditional village spaces using an immersive virtual reality equipped with an eye-tracking system. We selected Cheng and Jitou, two traditional Chinese villages, as our case studies. In two virtual reality environments, we captured accurate 3D cognitive data, including participants' locomotion, gaze point, and sightline. The results indicate that the accessibility of village roads affects the distribution of people's locomotion, which in turn affects the distribution of people's areas of interest; the changes in the rhythm of the sightline scale reflect the rhythm of spatial changes in the villages. By broadening the understanding of spatial cognition in traditional Chinese villages related to people's values, this paper sheds light on an alternative approach to assess the cultural significance of such villages for higher conservation and sustainability. [ABSTRACT FROM AUTHOR]

'Fingerprint' identification is the key to turquoise provenance studies, but previous studies have met with limited success in China. Turquoises in China mainly occur in altered sedimentary rocks and are formed by weathering, leaching and sedimentation. This paper evaluates the potential for sedimentary environment sensitive elements to be used to distinguish between turquoise deposits in China. In this paper, the ratios of V/Mo, Ce/Ce*, Ni/Co, Sr/Ba, Tl/Ga, Li/Ba and V/Cr were calculated for turquoise of different origins. Our results show that these parameters when used alongside Ga concentration permit effective discrimination between turquoise sources in China. This approach brings to light a new means of analyzing trace element databases and an untapped wealth of information that can be used for future turquoise provenance studies. [ABSTRACT FROM AUTHOR]

The relationship between social factors and the formation of exported mug designs is blurred. This study addresses how they influence material design. Based on a quantitative typological analysis, this paper interprets the cultural relationships underlying the evolution of mug designs exported during the Ming and Qing dynasties. The study reveals: (1) the typology and handle styles of mugs can be categorized into six types, with a predominance of Cylindrical bodies and Ear-shaped handles. Notably, artistic emphasis is concentrated on Bulbous cup bodies and Tail outward curved handles; (2) the design of mugs in the eighteenth century exhibited diversity, morphological similarities, and feature continuity, evolving from representational (Ming Dynasty) to abstract and then to minimalistic styles (Qing Dynasty), particularly evident in the three-dimensional modeling of handles for ergonomic comfort (transitioning from a singular Outward curved form to Ear-shaped form, and then to Entwined branch form); (3) the body shape of mugs transformed from Arc-barrel bodies to Bulbous bodies (focusing on heat retention), and eventually to Cylindrical bodies (prioritizing heat retention, practicality, and cost-efficiency).; (4) the volume of mugs steadily increased from the early eighteenth century, generally classified into large volume (≥ 500 ml), medium volume (200-499 ml), and small volume (< 200 ml); (5) considering the extreme range of volume (11090 ml) and height (25 cm), it indicates that these two variables do not necessarily have a direct positive correlation; (6) the low center of gravity in handle design (average width of 3.4 cm against an average height of 9.9 cm for the body) reflects considerations for the distribution of liquid weight and operational convenience. The volume of sample-10 (11127 ml) notably exceeds the typical range for tea-drinking utensils, revealing the mechanism of wealth and status symbolism. Market demand orientation emerged as the primary driver for the evolution of export mug designs during the Ming and Qing Dynasties, with adjustments in the merchant system playing a secondary role. The transformation in mug design reflects the interplay of multiple factors, with the trend toward minimalist design being a response to market demands. [ABSTRACT FROM AUTHOR]

The Wujiafentou site is located at the heart of the Youziling (5900–5500 cal BP) and Shijiahe (4500–4200 cal BP) cultures in the Handong region, a core area to understand the relationship among economic networks, sociopolitical integration, and regional identity in the middle Yangtze River valley (MYRV) of central China during the Late Neolithic times. Its pottery assemblages are important clues to understanding the pottery production and use before and after the extensive walled town construction activities in the Neolithic MYRV. Wujiafentou is less than 5 km from the Shijiahe walled town, the largest city of its time in the MYRV. This paper applies microscopic examination and chemical and mineralogical analyses to a sample of 152 sherds of the Youziling-period and Shijiahe-period utilitarian vessels unearthed from the Wujiafentou site, revealing the changes and continuity in pottery production and use over time. We also probe into the socio-economic ties between Wujiafentou and the Shijiahe walled town mainly through hong tao bei (red clay cups), which were widely distributed and presumably highly symbolic items of the Shijiahe culture related to drinking, feasts, and rituals. We propose that the Wujiafentou inhabitants produced their red clay cups by mimicking those made within the Shijiahe walled town. Our study highlights an alternative interpretation of the formation of a regional identity during the Shijiahe period. [ABSTRACT FROM AUTHOR]

In the field of world heritage conservation, there has been broad consensus on carrying out heritage conservation research on the basis of spatial integration and interregional and international cooperation. However, there are still many deficiencies in the integration of culture with the environment, regional economic and social development, and the regional, holistic and multimodal conservation and utilization of cultural heritage sites. In China, the Dongjiang-Hanjiang River Basin is a representative area of substantial cultural and ecological value for both Guangdong Province and the whole country. This paper uses the morphological spatial pattern analysis and the minimum cumulative resistance model to integrate cultural ecology sources and establish a cross-regional and large-scale cultural ecology network system that includes 1 main corridor, 22 important corridors and 17 secondary corridors. In addition, based on identified cultural landscape nodes and cultural ecology services, the economy of the cultural ecology corridor could be developed with large-scale co-construction, co-governance and shared working mechanisms to overcome administrative limits and realize the conservation and utilization of multimodal and large-scale heritage sites. This approach has strong theoretical and practical significance for innovative methods in cultural ecology research, as well as for new content in the research of Lingnan culture, ecosystem restoration, and the economic and social development of towns and villages. This article supplements unilateral studies of regional culture and ecology and demonstrates an in-depth application of cultural ecology theory. [ABSTRACT FROM AUTHOR]

Henan Province is the birthplace of Chinese civilization and one of the earliest human settlements, which means that the area has an important national cultural heritage. Traditional villages are an important facet of this cultural heritage, and studying their spatiotemporal characteristics in different periods has important theoretical and practical significance for the sustainable development and protection of cultural heritage in the region. This paper takes the traditional villages of the Yellow River basin in Henan Province that were formed before 1919 as the research object. Information on the ancient river was obtained through a literature search as well as via field research, and the important tributaries of the Yellow River in different periods were mapped using ArcGIS 10.0 software. The nearest neighbor index, kernel density estimation, standard deviation ellipse and other methods were adopted to analyze the spatiotemporal characteristics of the traditional villages. The factors that influenced the evolution of traditional villages were explored in depth by combining changes in the course of the river and water conservancy projects. The results show that the formation of traditional villages along the Yellow River in Henan Province has experienced a historical track of growth, contraction, growth and prosperity and stability. The traditional villages along the Yellow River in Henan Province generally show a clustered pattern, forming a dense concentration of traditional villages in the middle reaches of the Yellow River. The center of gravity shows a migration trend from southeast to northwest. In terms of influencing factors, the spatiotemporal evolution of the relationship between villages and their distance to water is closely related to climatic fluctuations, changes in channel, water conservancy projects and social and cultural factors. This paper deepens our understanding of the relationship between traditional village evolution and watersheds by improving the consistency between village spatial distribution and historical geography and provides a useful theoretical reference for the sustainable development of China's traditional villages. [ABSTRACT FROM AUTHOR]

The integration of 3D geometric models with semantic information significantly improves the applicability and comprehensibility of cultural heritage. The semantic 3D modeling of Chinese grottoes poses challenges for individuals without expertise in cultural heritage due to gaps in domain knowledge and discrepancies in understanding. However, the existing domain ontology and knowledge graph provide an insufficient representation of the knowledge of Chinese grottoes. To overcome these obstacles, we propose a knowledge graph representation method to provide explicit knowledge for participants at different stages of semantic 3D modeling of Chinese grottoes, which includes schema layer construction and data layer construction. On the schema layer, we design a domain ontology named ChgOnto (Chinese Grottoes Ontology) that consists of four high-level concept classes: spatial object, informational object, digital device, and temporal object. Among the classes in the ChgOnto, the components (e.g., cliff wall, cave roof, cliff wall footing), elements (e.g., primary Buddha statue, pedestal, decoration), the properties (e.g., length, width, depth) of caves and niches in Chinese grottoes as well as the spatial relationships between them are all precisely defined. ChgOnto also reuse the classes from the renowned CIDOC CRM ontology in the cultural heritage field and GeoSPARQL in the geospatial domain, facilitating integration between the two subjects. Considering the schema layer as the conceptual data model, the data layer extracts knowledge from unstructured text through natural language processing tools to instantiate the abstract classes and fill the properties of the schema layer. Finally, the knowledge required for semantic 3D modeling of Chinese grottoes is expressed in the data layer by a knowledge graph in a fixed expression form. Dazu Rock Carvings, a World Heritage site in China, is selected as a case study to validate the practicality and effectiveness of the proposed method. The results reveal that our method offers a robust knowledge-sharing platform for the semantic 3D modeling of Chinese grottoes and demonstrates excellent scalability. The method proposed in this paper can also serve as an informative reference for other types of cultural heritage. [ABSTRACT FROM AUTHOR]

As one of the common physical materials in Chinese archaeological excavations, ancient bronzes are an essential basis for studying the development of Chinese bronze culture, which is of great significance for exploring the development law of ancient human civilization and reconstructing ancient human society. As China's infrastructure advances, the number of bronzes unearthed by archaeological excavations continues to increase. However, environmental damage to artefacts is very complex, whether the buried environment of the artefacts or the above-ground environment when the artefacts are unearthed, leading to different health problems for the excavated bronzes. A scientific assessment of these bronzes needs to be carried out prior to extraction to inform staff how they should be extracted, moved, and transported and how they should be restored afterwards. In response to the above problems, this paper takes excavated bronzes from archaeological sites as the research object and, by analysing and studying the relevant industry standards and the disease characteristics of bronzes, establishes a three-tier indicator framework for assessing the health of bronzes in a layer-by-layer refinement and proposes quantitative indicators with typical correlations. Through extensive research and testing, we screened out efficient, non-destructive, convenient and reliable assessment and testing methods and assessment models that combine subjective and objective aspects suitable for archaeological sites. On this basis, the paper achieves a scientific and practical assessment of the health status of bronzes excavated from archaeological sites. After repeated experiments, a set of comprehensive methods for quickly and conveniently assessing the health status of excavated bronzes was proposed for the first time and successfully applied to the archaeological excavation site of Sanxingdui site in Guanghan City, Sichuan Province, China. [ABSTRACT FROM AUTHOR]

As a UNESCO World Heritage Site, the Grand Canal of China has a rich intangible cultural heritage along its route. The intangible cultural heritage of folk songs is an important representative. The study of its distribution characteristics and influencing factors is of practical and social significance for promoting the protection and development of intangible cultural heritage in relevant areas and the construction of the Grand Canal Cultural Belt. This paper uses the theories of musicology, geography, sociology, data statistical analysis and spatial analysis to analyze the distribution pattern of intangible cultural heritage items in the Grand Canal basin from the dimensions of geographical space and folk song genre, and from the perspective of natural and social conditions. The results show that the spatial distribution of folk songs in the Grand Canal basin shows a trend of "distribution along the river, two cores and two belts". Water system, landform and regional culture are the main influencing factors for the formation and dissemination of intangible cultural heritage of folk songs. At the same time, compared with the mountainous areas in western China, the economic and social development and frequent population flow in the Grand Canal basin lead to the diversified and unified musical culture characteristics of folk songs. Finally, this paper proposes the suggestions that the folk songs should be integrated into the local social and economic activities. [ABSTRACT FROM AUTHOR]

At present, most studies of anchorage techniques for earthen architecture ruins are conducted so as to improve the anchor force, however, the damage caused to the ruins by anchor reinforcement has not been fully considered in practice and no special anchor technique has been applied to reinforce the small sliding mass. This paper summarizes the application and R&D of anchor rod techniques as applied to the protection of the Gaochang Ruins, Turpan, in China. Based on the reinforcement of the small sliding mass of the earthen historical ramparts, a new type of Geotechnical Filament Anchor (GFA) is designed. By changing six parameters, including anchorage length (L), GF thickness (H), bore diameter (D), slurry strength (S), GFA surface state (R) and inclination Angle (A), the tensile strength, failure mode, load displacement (P-S) relationship and strain (ζ-L) distribution characteristics are studied, and corresponding analysis is performed on the test data and phenomena. (1) A formula for the design value of the anchorage force N is presented. (2) Combining the data on the strain distribution at the GF-slurry interface under the action of N, the shear stress distribution model of the anchorage system is obtained. (3) Taking into account the soil mechanical properties of the above-mentioned ruins, the shear stress diffusion coefficient (α) is conceptualized, the formula for the shear strength of the grouting material is obtained, and the allowable ranges of L, D, H, R, and S determined. A new design is proposed for the application of anchorage techniques to earthen ruins in the context of protection of cultural relics, which promotes the design and calculation method described in this paper. [ABSTRACT FROM AUTHOR]

This paper provides an analysis of China's land border cultural heritage, aiming to offer guidance for its protection and development. The study compiled a comprehensive database of heritage sites and analyzed their mathematical characteristics based on quantity, type, and quality. The spatial pattern of the cultural heritage was described using kernel density analysis, spatial variability, and spatial correlation, while the driving mechanism was measured based on Geo-Detector model. The findings revealed that the land border areas of China have a total of 1227 cultural heritage, comprising two main types and 18 subtypes. National cultural heritage accounted for 22.74%, with ancient city ruins being the largest type of cultural heritage. The Southwest and Northeast regions of China exhibited high-high clusters and low-low clusters, respectively. Moreover, the study identified history of administrative succession, evolution of historical and cultural, altitude, distance from the city, population density, minority population ratio, urbanization process, and per capita GDP as significant factors impacting the spatial pattern of land border cultural heritage in China. Based on these findings, the study suggests that the government should invest more in border cultural heritage, improve transportation infrastructure in border areas, ensure dynamic inheritance and protection of cultural heritage, and promote the joint development of different types of cultural heritage. The research results will provide data support and decision-making reference for the sustainable development of cultural heritage in land border areas, and can provide a new perspective for the management of cultural heritage in similar areas. [ABSTRACT FROM AUTHOR]

This paper analyzed five dragonfly eye beads excavated from M176 of the Hejia Cemetery in the Late Warring States period (around 3rd c. BC) by using a super depth of field 3D microscope system (OM), scanning electron microscope-energy dispersive spectrum (SEM–EDS) and Raman spectroscopy. The analytical results confirmed that all the beads were glazed pottery and the glaze material belongs to the lead-barium-silicate (PbO-BaO-SiO2) system. The color component of the glaze is Chinese Blue (BaCuSi4O10). Three beads, M176-2, M176-3, and M176-4, were formed with an inner core support and were made in the same batch. Additionally, two weathering products, CuPb4(SO4)2(OH)6 and PbCO3, were detected on the glaze layer surface. The results of scientific and technological analysis show that these beads have differences in the composition of the body and glaze, and the color composition in the glaze layer is relatively rare in previous studies. The discovery of lead-barium glazed pottery beads from the Late Warring States period in northern China provides new evidence for further exploration into the origins and evolution of early glazed pottery. The identification of weathering products formed on the beads' surface within an alkaline burial environment holds valuable implications for the study of weathering and deterioration in silicate artifacts. [ABSTRACT FROM AUTHOR]

Qin opera culture has a long history in China for thousands of years. It is the ancestor of Chinese opera. However, with the development of modern technology and the rise of new media, the protection and inheritance of traditional Qin opera culture is facing a new challenge and opportunity, its costume culture is the same. This paper analyzes the style and structure of Qin opera costumes, extracts the colors of the costumes, summarizes the costume patterns, and then uses the three-dimensional (3D) virtual visualization technology to virtually restore the Qin opera costume, and innovates the Qin opera costume. In this paper, twelve sets of traditional Qin opera costumes are virtually restored, and on this basis, the digital protection and innovative design of Qin opera series costumes are carried out, and all the restored costumes are displayed digitally in an all-round way. The combination of Qin opera costume and digital protection extends the application scope of virtual visualization technology and enriches the transmission mode of Qin opera costume. This study inherits and protects the traditional Qin opera costume culture better. [ABSTRACT FROM AUTHOR]

Qin opera culture has a long history in China for thousands of years. It is the ancestor of Chinese opera. However, with the development of modern technology and the rise of new media, the protection and inheritance of traditional Qin opera culture is facing a new challenge and opportunity, its costume culture is the same. This paper analyzes the style and structure of Qin opera costumes, extracts the colors of the costumes, summarizes the costume patterns, and then uses the three-dimensional (3D) virtual visualization technology to virtually restore the Qin opera costume, and innovates the Qin opera costume. In this paper, twelve sets of traditional Qin opera costumes are virtually restored, and on this basis, the digital protection and innovative design of Qin opera series costumes are carried out, and all the restored costumes are displayed digitally in an all-round way. The combination of Qin opera costume and digital protection extends the application scope of virtual visualization technology and enriches the transmission mode of Qin opera costume. This study inherits and protects the traditional Qin opera costume culture better. [ABSTRACT FROM AUTHOR]

This paper explores the characteristics and influencing factors of the spatial distribution of 889 national intangible cultural heritage sites in the Yellow River basin of China based on ArcGIS spatial analysis and Geodetector. The results show that the distribution of national intangible cultural heritage sites in the Yellow River basin is significantly different among provinces, and most of them are distributed in the central and western regions. From east to west, the density of intangible heritage in the Yellow River basin presents a triangular "one area and three points" pattern. All kinds of intangible cultural heritage in the Yellow River basin generally show the characteristic of aggregated distribution.Traditional skills, traditional medicine, traditional theatre, traditional music, and folklore have high levels of agglomeration, and traditional dance, Quyi, folk literature, and traditional fine arts have lower levels. The levels of traditional sports, entertainment and acrobatics have the lowest agglomeration. Among social and humanistic factors, highway density is the most influential indicator for the spatial distribution of national intangible cultural heritage in the Yellow River basin. GDP, population density and the urbanization level also have a great impact on the spatial distribution of national intangible cultural heritage in the Yellow River basin. Among geographical environmental factors, the river system and topography have a certain effect on the spatial distribution of national intangible cultural heritage in the Yellow River basin. Based on these facts, this paper finally discusses the specific path to protect and develop intangible cultural heritage in the Yellow River basin in the context of the newerato promote its creative protection and innovative development. [ABSTRACT FROM AUTHOR]

Phytoliths are silica bodies formed in living plant tissues, and they can be reliable indicators of their parent plants when they demonstrate characteristic phytolith morphology. As shown by the growing case studies around the globe, phytolith morphology is of significant value for identifying and even quantifying domesticated plants. However, researchers also alert that phytoliths morphology can change, for example, in alkaline solutions or heat, causing the loss of characteristic phytoliths and eventually leading to the over- or under-identification of certain phytoliths. Focusing on the degree to which heat can cause changes to the phytolith morphology of millet, the present study carried out a series of controlled heating experiments on six varieties of modern common millet (Panicum miliaceum) growing in different regions of Northern China. Husked grains were heated following the dry ashing method. Specimens prepared from the dry ashing method were examined under an optical microscope to quantify articulated husk phytoliths, which are characteristic millet phytoliths, and to estimate the surface area of millet grains. We estimated that 30.8% to 59.5% of the common millet phytoliths underwent morphological damage in the heating experiments. Considering our previous heating experiments on foxtail millet, we conclude that compared to foxtail millet phytoliths, common millet phytoliths experience morphological damage more quickly when exposed to heat. This observation may explain (at least partially) the contradictory results between macro- and micro-botanical results. It reminds us that common millet can be underrepresented in the micro-botanical evidence (phytoliths). We conclude the paper by discussing the potential archaeological implications of our heating experiments. [ABSTRACT FROM AUTHOR]

Numerous important earthen heritage sites in northwestern China have survived until today because of the arid and semi-arid climate. However, most of them suffer from various types and degrees of deterioration, with many questions not answered. Scaling off is one of the main types of deterioration widely observed at the Site of Yar City. To clarify the underlying mechanisms of cracked surface crust formation, previous experimental achievements are reviewed in the framework of unsaturated soil mechanics in this paper. A series of laboratory tests on the properties of local soil during desiccation, including water retention, volumetric shrinkage, cracking and tensile strength, are presented and analyzed, with a particular emphasis on salinity effect. Results show that suction is the key factor controlling the soil behavior. With the decrease in water content, all suction components increased gradually. The presence of NaCl led to a large increase in total suction, but a negligible change in matric suction. The soil shrinkage characteristic curve, which can be divided into three zones, was not affected by NaCl. The suction-loading curve indicates that the change in void ratio was governed by matric suction. In addition, most of the drying shrinkage of soil took place in saturated and near-saturated conditions. According to the quantitative analysis of final crack patterns, the highly fragmented surface morphology tended to be induced in thinner, less salinized soil specimens. The soil tensile strength also increased during drying, which was further enhanced by the cementation of salt crystals between particles. These preliminary results can provide some insights in understanding the on-site deterioration of earthen heritage sites. [ABSTRACT FROM AUTHOR]

Gulangyu Island is a special case of social development and changes since modern China. In the past, Chinese and foreign people lived together and Chinese and Western cultures coexisted, resulting in an international community with outstanding cultural diversity and modern quality of life. As a functional carrier, space is of great reference significance to the research on the spatial evolution path of the Gulangyu international community with the accelerating globalization and rapid expansion of urbanization. Based on the interpretation of historical maps and the integration of historical geographic information, this paper explores the evolution path of Gulangyu community space in modern times from the perspective of actor-network theory. It is found that: (1) The change of key actors promotes the spatial evolution of the Gulangyu international community. (2) In the stage of foreign culture dissemination (1840–1902), foreign nationals, as key actors, promoted the formation and development of actor-networks through administrative recruitment and other means, and promoted Gulangyu Island to change from a traditional Minnan community to a modern community form, with the embryonic form of an international community beginning to emerge. (3) In the stage of multicultural integration (1903–1940), overseas Chinese returning home became key actors. The concept of a combination of Western cultures was not only embodied in community management but also acted on space practice to promote the multicultural integration of the Gulangyu international community. This paper summarizes the effects of various factors on the evolution of community space, to provide a reference for other coastal cities to rationally develop islands and promote the multicultural integration of local communities. [ABSTRACT FROM AUTHOR]

Nanhai I shipwreck was a large wooden merchant ship (22.15 m in length and 9.85 m in width) built in the Southern Song Dynasty (1127–1279 A.D.) of China, which was heavily loaded with a large number of porcelain and iron artifacts. In the South China Sea, it was found in 1987 and lifted as a whole in 2007. Its excavation provides a precious opportunity to reveal the preservation status of Nanhai I shipwreck. Iron compounds give rise to challenges in conservation procedures and the long-term stability of Nanhai I shipwreck. In this paper, the degradation of the wood and the iron deposits in the wood structure are investigated from the aspects of microscopic morphology, composition, and distribution to evaluate the preservation state of the waterlogged wood. Physical parameters, chemical composition, and the results of elemental analysis, and FTIR analysis suggest that the cellulose of wood is degraded, and the relative concentration of lignin increases. The ash content varies greatly among different samples, and the element of the highest content in ash is iron. The study on transverse and longitudinal sections from samples indicate that the deposits are unevenly concentrated in the cell lumen, middle lamella, rays, and pits of the cell wall. The cell lumen is filled with deposits in areas close to the surface of the samples. The XRD analysis demonstrates that the deposits in wood are mainly iron deposits, containing compounds pyrite (FeS2), siderite (FeCO3), iron oxyhydroxides (FeOOH), and magnetite (Fe3O4). The micro-X-ray Fluorescence mapping analysis suggests that the content of iron is relatively richer while containing less sulfur on the exterior of the sample. The presence of iron deposits accelerates wood degradation and increases the safety hazards of shipwrecks in the preservation process. We hope that our findings can make a modest contribution to iron removal from waterlogged archeological wood and shipwreck conservation. [ABSTRACT FROM AUTHOR]

Red slipped and painted wares (RSW and RPW) were manufactured to cook, serve, or store foods and liquids in the middle Yangtze River valley (MYRV) of China some 8500 and 7800 years ago, respectively. Their primary use narrowed down to serving and drinking in the Upper Qujialing (5300–4500 cal BP) and Shijiahe (4500–4200 cal BP) periods when initial states (bang guo) took shape and developed in the region. The increasing social complexity in MYRV correlated with the formation of community and neighborhood identity through rituals and socio-economic ties involving the widespread use of RSW and RPW. How the two wares were produced and used helps us understand the relationships among productive activities, identity, and social inequality in MYRV. This paper presents the first overview of RSW and RPW in the Neolithic MRYV. It introduces a multi-analytical study of the two wares—mostly dating to the Shijiahe period—unearthed from the site of Fenghuangzui in Xianyang City of Hubei Province, China. Optical microscopic examination revealed that the paint of RPW—50 μm thick on average—was applied using a brush while the slip of RSW is thinner and finer and possibly formed by self-slipping. Handheld X-ray fluorescence (hhXRF) and benchtop micro-XRF analyses ascribed the red paint or slip to iron and iron oxide. Raman and X-ray absorption fine structure analyses confirmed that iron was present in the paint or slip in the form of hematite with a poorly developed crystalline structure. Furthermore, thin-section petrography implied that different pastes were used to produce RPW and RSW, and hhXRF data indicated that the Upper Qujialing and Shijiahe pottery differ in the concentrations of five elements (Zr, Fe, Mn, Ti, and Ba), which might be helpful in future provenance studies of RSW and RPW. Our study discloses the complexity of the manufacture of RSW and RPW at Fenghuangzui. More details of RSW and RPW production and use from our ongoing project shall reveal the role of the two wares in the social dynamics of the Late Neolithic MYRV. [ABSTRACT FROM AUTHOR]

The supply of coins and their metal materials is important for state governance. Many details about the monetary supply network in ancient China still need to be verified. In this paper, 15 early Tang dynasty Kaiyuan Tongbao 開元通寶 coins excavated from the Lafu Queke 拉甫却克 cemetery, Hami 哈密 city, were studied by combining scientific analyses (PXRF and MC-ICP-MS etc.) with the archaeological context and historical texts. The results show that all of these coins are made of Cu-Sn–Pb ternary alloy. The lead isotopes match with the isotopic signatures of some southwest China lead mines consistent with historical records, 14 coins are located in the range of Southern China geochemical province, and the lead of 5 coins could be considered as highly radiogenic lead (HRL). Combining these results with the archaeological context and historical texts, it can be inferred that the coins minted in southwest China were made from locally exploited raw metal, and supplied to the northwest borderland of the Tang dynasty in the seventh century CE. [ABSTRACT FROM AUTHOR]

The Central Plains has a long history, rich culture, unique geographical advantages, and profound cultural heritage. The occurrence of ancient cities in the Central Plains marks the formation of Chinese state-level societies. The number, size, and distribution of ancient cities have changed greatly from the late Yangshao to the Xia and Shang Dynasties, which reflects the evolution of settlement and social organization. In this study, Geographic Information System (GIS) spatial database technology was used to establish a spatiotemporal database of ancient cities in the late Yangshao, Longshan, as well as Xia and Shang Dynasties in the Central Plains. This paper uses GIS spatial analysis technology to analyze the relationship between the ancient city distribution and the geographical environment, as well as the evolution of ancient city's shapes and sizes. Furthermore, by using the method of the nearest neighbor distance and gravity center analysis, this paper discusses the agglomeration characteristics and gravity center evolution of ancient cities. The results show that: (1) Most of the ancient cities were distributed in areas below 500 m and within 3 km from the river during the time interval from the late Yangshao to Xia and Shang Dynasties; (2) The shape of the ancient cities gradually changed from circles to squares in the Central Plains, which became a unified model for the later ancient city design; (3) The sizes of the 18 ancient cities in the Yangshao period shared high similarity, with an average area of 20 hectares. The sizes of 24 ancient cities in the Longshan period increased significantly, with an average of 39 hectares. During the Xia and Shang Dynasties, there were 22 ancient cities with an average size of 340 hectares, and the grade of sizes became obvious, marking the entrance into Chinese state-level societies; (4) Cities were scattered in the decentralized pattern during the late Yangshao and Longshan periods, whereas they became agglomerative in Xia and Shang Dynasties. This reflects the evolution of the spatial scopes and social organizational forms; and (5) From the late Yangshao to Xia and Shang Dynasties, the gravity center of ancient cities moved around the Songshan Mountain from the northwest to the southeast and again to the northeast. [ABSTRACT FROM AUTHOR]

Based on the research results and practical engineering experience pertaining to the protection and reinforcement of the cliff of the Mogao Grottoes in Dunhuang, China, this paper presents a method that is mainly based on the analytic hierarchy process (AHP) to evaluate the preservation state and risk of the Mogao cliff, a means that numerical simulation was conducted to quantitatively evaluate the stability and effectiveness of protective measures for the Mogao cliff, a set of reinforcement methods which integrate the key protection techniques based on propping, anchoring, grouting, and anti-weathering and the quality control measures based on assessing their effectiveness for surrounding rocks of the grottoes, and a set of methods for monitoring and warning based on risk theory throughout the entire reinforcement process. The four above-mentioned techniques complement and support with each other, and every stage is based on research. Additionally, the protection and reinforcement concepts implemented at the Mogao cliff are summarized in this paper. Finally, preventive protection and reinforcement techniques for sandy conglomerate grottoes were established based on the research, evaluation, calculation, and monitoring. The techniques presented in this paper can be used as a theoretical foundation and provide technical guidance for the protection and reinforcement of similar cultural heritage sites all over the world. [ABSTRACT FROM AUTHOR]

Mural is an important component of culture and art of Dunhuang in China. Unfortunately, these murals had been ruined or are being ruined by some diseases such as cracking, hollowing, falling off, mildew, dirt, and so on. Existing image restoration algorithms have problems such as incomplete repair and disharmonious texture during large-area repair, so the effect of mural image disease area repair is poor. Due to lack of a standard mural datasets, Dunhuang mural datasets are created in the paper. Meanwhile, our network architecture SeparaFill is proposed which connects two generators based on U-Net. Based on the characteristics of the painting, the contour line pixel area of the mural image is innovatively separated from the content pixel area. Firstly, the contour restoration generator network with skip connect and hierarchical residual blocks is employed to repair contour lines. Then, the color mural image is repaired by the content completion network with guide of the repaired contour. Full resolution branches and generator branches of the U type are exploited in content completion generators. Convolution layers of different kernel sizes are fused to improve the reusability of the underlying features. Finally, global and local discriminant networks are applied to determine whether the repaired mural image is authentic in terms of both the modified and unmodified areas. The proposed SeparaFill shows good performance in restoring the line structure of the damaged mural images and retaining the contour information of the mural images. Compared with existing restoration algorithms in mural real damage repair experiment, our algorithm increases the peak signal-to-noise ratio (PSNR) by an average of 1.1–4.3 dB and the structural similarity (SSIM) values were slightly improved. Experimental results reveal the good performance of the proposed model, which can contribute to digital restorations of ancient murals. [ABSTRACT FROM AUTHOR]

Gender transformation of Guanyin (Avalokitesvara in India) in China is an intrinsically fascinating research topic. Besides the inner source from the scriptures, literatures and epigraphs, iconological analysis is usually as the external evidence of Guanyin's gender recognition. However, the ambiguous gender of the Guanyin image is often intentional and can be objectively assessed. Can computer vision be applied to the recognition objectively and quantitatively? In this paper, VGGNet (VGGNet is a very deep convolutional network for large-scale image recognition proposed by Visual Geometry Group of Oxford University) is applied to propose an automatic gender recognition system. To validate its efficiency, abundant experiments are implemented on the images of Dazu Rock Carvings, Dunhuang Mogao Caves, and Yungang Grottoes. The following conclusions can be made according to the quantitative results. Firstly, VGG-based method can be effectively applied to the gender recognition on non-Buddhist and Buddhist images. Compared with five classical feature extraction methods, VGG-based method performs not much better on non-Buddhist images, but superior on Buddhist images. Furthermore, the experiments are also carried out on three different training datasets, real-world facial datasets, including CUHK (CUHK is a student face database of Chinese University of Hong Kong). IMFDB (IMFDB is an Indian movie face database.) and CAS-PEAL (CAS-PEAL is a Chinese face database created by Chinese Academy of Sciences (CAS) with varying pose, expression, accessory, and lighting (PEAL). The unsatisfactory results based on IMFDB indicate that it is not valid to apply Indian facial images as a training set to the gender recognition on Buddhist image in China. With the sinicization of Buddhism, there were more Chinese rather than Indian characteristics on Buddhist images in ancient China. The results based on CAS-PEAL are more robust than those based on CUHK, as the former is mainly composed of mature adult faces, and the latter consists of young student faces. It gives the evidence that Buddha and Bodhisattva (Guanyin included) were as ideally mature men in original Buddhist art. The last but the most meaningful is that besides the time factor, the relationship between image making and the scriptures, or the intentional combination of male and female features, the geographical impact should not be ignored when we talk about the gender transformation of Guanyin in ancient China. The gender of Guanyin frescoes in Dunhuang Mogao Caves painted in the Sui, Tang, Five, Song and Yuan dynasties were always with prominent male characteristics (with tadpole-like moustache), while bodhisattvas in Yungang Grottoes engraved in the Northern Wei Dynasty were feminine even though they were made earlier than those in Dunhuang Mogao Caves. It is quite different from the common idea that the feminization of Guanyin occurred in the early Tang Dynasties and completely feminized in the late Tang Dynasty. Both the quantitative results and image analysis indicate that there might be a common model in a specific region, so the image-making of Guanyin was affected much more by geographical rather than temporal factor. In a word, it is quite a complicated issue for the feminization of Guanyin in China. [ABSTRACT FROM AUTHOR]

Enjoying the benefits presented by the information age can enhance the effectiveness of learning musical poetics in instrumental music, which constitutes intangible cultural heritage. This paper addresses the effectiveness of the academic program in instrumental music poetics (which was uploaded on YouTube) in order to specify cultural heritage popularization options. The survey was conducted among 200 students from two music schools in China. The results of group B demonstrated the effectiveness of video tutorials uploaded on YouTube in learning musical poetics in Chinese instrumental music. The difference between the groups was especially noticeable when evaluating the "theoretical knowledge" and "final exam" criteria. After Group B's semiannual exposure, a survey addressing the understanding of the musical poetics' intangible cultural value revealed a large-scale difference in the results compared to the data obtained in January (p-values of 0.034 for questions about cultural value and 0.001 for questions about online promotion), while no statistically significant improvement was observed for group A. Group B saw an intense increase in the understanding of responsibility for preserving the country's intangible cultural values (+ 26.8%) and confidence in the knowledge of traditional Chinese tools (+ 25.1%) on the Agree scale. This study has practical value and is important for further research because it demonstrates the effectiveness of innovative technology for studying musical poetics and the popularization of intangible cultural values. Research findings may be used by educational institutions, in academic programs and research. [ABSTRACT FROM AUTHOR]

The rapid new-style urbanization process in China has had a significant impact on the inheritance and protection of local culture. This paper quantitatively analyzes the spatiotemporal difference regarding the coupling coordination between the inheritance of local culture and the new-style urbanization process in China. It is found that during the period between 1991 and 2017, the coexistence of inheritance of local culture and new-style urbanization in China has successively undergone three stages, and at present, the coupling coordination between these two processes is still at a relatively low level, featuring significant differences across various regions and a progressive decrease in the degree of coupling coordination from east to west in China. However, the economically underdeveloped regions, especially ethnic minority regions, are under far greater pressure in terms of coordinated coexistence of both the inheritance of local culture and new-style urbanization. [ABSTRACT FROM AUTHOR]

As a royal temple, the Fengguo Temple has profound historical, artistic, scientific and social values. With a thousand-year history, it is one of the three existing temples of the Liao Dynasty in China. Now there remains the Main Hall with delicate wall paintings and vivid painted sculptures. The research subject of this paper is the painted Bodhisattva sculptures in the Main Hall. The study target is to reveal the craftsmanship and materials of the painted Bodhisattva sculptures. X-ray detection and the ground-penetrating radar were employed to explore the internal structure of the painted sculptures reasonably. Through microscope analysis, X-ray fluorescence spectrometer, X-ray diffractometer, scanning electron microscopy and infrared spectroscopic analysis, the chemical constituents and hierarchical structure of the pigment layer were detected and analyzed. The grain composition and chemical composition of the base layer were presented as well. The research results offer detailed documents for subsequent restoration and pave the way for preventive conservation. Finally, this paper summarized the craftsmanship and materials of painted sculpture works in different periods, so as to explore the development history of the painted sculptures culture. [ABSTRACT FROM AUTHOR]

A woman's crown made of fine gilt bronze with refined glass inlay work was excavated from a Sui-Tang tomb called Kunlun M2 in Xi'an, Shaanxi Province, China. Very few female crowns and crown ornaments have been excavated in China thus far, and there has been a lack of systematic research into the technologies used to manufacture them. Importantly, this paper uses the M2 crown to investigate its surface inlays and overall shape, then conducts a comparative analysis of women's crown ornaments of the same type, providing a reference for study of the crown. Non-invasive and micro-destructive analysis including optical microscopy (OM), optical coherence tomography (OCT), micro X-ray fluorescence imagery (XRF), and Raman spectroscopy were applied. These identified the crown's inlays as potash-lime glass, composed mainly of the raw materials: vein quartz or quartzite with potassium nitrate as flux. The inlays were sintered before embedding into gilt copper wire filigree. In comparison to the composition proportions in other ancient potash-lime glass, there is no specific percentage of the raw materials in Chinese potash-lime glass, where the ingredients were likely determined by the experience of the craftsman. Compared with existing research on other crowns and their inlays, this study speculates that the crown dates from the Sui dynasty (581–618) or early Tang dynasty (618–649), was made locally by Chinese craftsmen and belonged to the wife of a high official. [ABSTRACT FROM AUTHOR]

Having extremely high artistic, scientific and social values, earthen sites are widely distributed in China and are important human cultural relic resources. Due to accumulated natural erosions (from rain and wind) and human activities (destructive activities of human beings in history and modern times), however, earthen sites have been greatly damaged, and many sections have even been absent, so that they are seriously threatened by extinction. Under these circumstances, acquiring the conservation status of earthen sites is a vital prerequisite for the subsequent targeted protection. In this paper, as a world-renowned heritage site, the castles of the Ming Great Wall located in Qinghai Province were selected as the research object. A novel indicator, namely the linear absent section ratio (L-ASR), was proposed, and its value was classified into five levels to quantitatively characterize the specific conservation status of such sites, including excellent (E) (0–10%), good (G) (10–25%), fair (F) (25–50%), poor (P) (50–75%), and very poor (VP) (75–100%). Based on the assessment results, the castles with excellent status constituted the minimum proportion, while the castles with very poor status represented the largest percentage, reflecting the grave situation of earthen sites. Furthermore, by applying population distribution models to the linear fitting combined with the population density (PD), a positive correlation between PD and L-ASR was obtained to reveal the anthropogenic influence on the destruction of earthen sites. Principal component analysis (PCA) was utilized to provide a far richer understanding of which factors correlate most strongly with deterioration. This study provides a new thought to quantitatively characterize the preservation conditions of earthen sites and also indicates the effect of human activities on the damage of earthen sites from a population density perspective, which is potentially used for the analysis of more various types of architecture with different construction techniques. Hence, this approach is beneficial to the overall damage assessment of earthen sites, and also meaningful to their further preservation and protective planning. [ABSTRACT FROM AUTHOR]

This paper surveys of the chemical composition of the copper alloy coinage in China from the Qin Dynasty to the end of the Yuan Dynasty (221 BCE–1368 CE). It shows a dramatic change in the alloying practice used to cast these coins from the Qin unification (after 221 BCE), compared to that practiced in the pre-Qin. There are a number of shifts in the quality of the coinage from dynasty to dynasty, such as the obvious debasement of the Southern Song coinage (1127–1279 CE) when compared to that of the previous Northern Song dynasty (960–1127 CE). Particular attention is paid to the low levels of zinc in the coinage over the period. Although not as obvious as the switch to brass coinage in the Ming, certain periods do show occasional values of zinc up to 2–4%, which we suggest could reflect the sporadic input of recycled brass (Cu–Zn alloy) into the raw material melt. There were several major suppressions of Buddhism during this period, when Buddhist brass statuary was recycled into the coinage, providing a plausible mechanism for the injection of small quantities of zinc into the coinage alloy. A diachronic study of the amounts of iron in the metal, taken to indicate changes to the manufacturing process of copper, also show changes over time. The median levels of iron jump from the Qin (221–206 BCE) to the Western Han (206 BCE–9 CE), possibly reflecting the adoption of slagging processes in the production of the copper, followed by a gradual decline to the Northern Song (960–1127 CE), and a rapid increase during the Southern Song (1127–1279 CE). Finally, a study of changes in the content of silver over time reveals differences in the sources of lead, or changes in lead and silver extraction technologies, over the period. [ABSTRACT FROM AUTHOR]

Guangzhou Tongcao paintings in Qing Dynasty of China witnessed the exchange of economy, culture, art and technology between China and foreign countries, which were an important export product in historical China. In this paper, by using Optical Stereo Microscope, Polarized Light Microscope, Scanning Electron Microscope attached Energy Dispersive Spectroscopy and micro confocal laser Raman Spectroscope, a Qing Dynasty Tongcao painting with the subject of family life of an official's female relative was analyzed. Our study revealed that: (1) the hexagonal cell morphology which was easily observed in the Tongcao pith could contain more pigments and increase the stereo sense of painting, and the cell of historical Tongcao pith had started to degrade, which indicated an urgent requirement on conservation of Tongcao paintings; (2) alum was needed as the fixing agent in the preparation of pigments and the painting process; (3) both the China domestic pigments including red lead, calcite, lead white, carbon black and gamboge, and the synthetic pigments imported from Europe (synthetic ultramarine, prussian blue and emerald green) were applied in this painting, which reflected the bi-directional communication of culture and technology between China and western world. Meanwhile, the existence of synthetic ultramarine, prussian blue and emerald green was helpful to further identify the production date of this painting was late Qing Dynasty, mainly the mid-late 19th century. [ABSTRACT FROM AUTHOR]

Water seepage is the primary cause of stone carvings corrosion in karst caverns, which is typically treated with cement-based grout intervention. In this paper, long-term monitoring (more than 1 1/2 years) was carried out in Qinglin cave and Yanxia cave in Hangzhou, China, to quantitatively evaluate the advantages and disadvantages of ordinary Portland cement- and superfine cement-based grout intervention. Results showed that both materials were efficient in preventing water seepage, reducing it by half after the grout interventions. Grout intervention had obvious efficacy in blocking off the strong water seepage points, at the same time decreasing seepage differences among seepage points. Ion Chromatography results suggested that the concentrations of Ca2+, Cl− and SO42− in the seeped water in both caves increased after intervention, and the concentration of SO42− in the seeped water after superfine cement application in Qinglin cave was much more than that in the seeped water in Yanxia cave, where ordinary Portland cement was applied. Therefore, using superfine cement may bring more potential risks than ordinary Portland cement. However, X-ray diffraction (XRD) and conductivity analysis results presented that these ions seemly did not deposit on rock surfaces of the caves during the monitoring period. [ABSTRACT FROM AUTHOR]

The white spots known as microbubbles that are formed in cellulose acetate film, significantly affects the texture of the image. However, the formation of microbubbles and their corresponding microstructure are poorly understood. In this paper, cellulose acetate microfilm from the Republic of China (AD 1912–1949) collected in the Second Historical Archives of China was chosen as a prototype to investigate the causes of microbubble disease for the first time. A comparative study was conducted between the film samples with and without microbubbles. Herein, the microstructural analyses including optical and SEM microscopy were conducted. The crystals in the microbubbles proved to be triphenyl phosphate as identified by NMR spectroscopy and SEM–EDX. Comparative properties of the film substrate with and without microbubbles were measured by TG, XRD and FT-IR spectroscopy. The results show that formation of microbubbles was generally accompanied with the vinegar syndrome and was produced between the protective and emulsion layers with the different types of shapes along the closed structure (the diameter of ~ 0.1–2 mm). The formed microbubble was filled with plasticizer. Based on the above-mentioned results, the possible formation process of microbubble was proposed in the present study. The results can provide support for the cause of microbubbles and basis for the conservation of photographic films. [ABSTRACT FROM AUTHOR]

Since the 'rediscovery' of the Selden map of China, an early seventeenth century map of Asia, in the Bodleian Library in Oxford, the importance of the map in our understanding of globalisation in the early seventeenth century has been recognised. One of the unresolved questions is the origin of the map. This paper addresses the question through material evidence provided by a holistic approach using a suite of complementary analytical techniques. The map was examined in situ and non-invasively by a remote spectral imaging instrument (PRISMS) modified for close range imaging, which was followed by a range of complementary techniques applied to a number of detached fragments, though most of the techniques are non-invasive and can be applied to the map directly in the future. The binding medium was found to be a gum, almost certainly gum Arabic, rather than the animal glue commonly used in Chinese paintings. Some of the pigments and their usage were found to be at odds with the common practice in paintings from China. The detection of gum Arabic, a binding medium used by the Europeans, South and West Asians and the use of a mixture of orpiment and indigo, commonly found in European, South and West Asian paintings gives further evidence on the unusual origins of this map. The likely detection of a basic copper chloride, such asatacamite, in the green areas suggests an influence from the South and West Asian rather than the European tradition. Detailed analysis of the various spectral bands of the spectral image cube along with visual inspection of the large scale colour image showed that the map was not fully planned at the beginning but rather painted in stages, at times by trial and error and that it was unfinished. A new hypothesis for the origin of the Selden map in Aceh Sumatra is proposed based on the new evidences. [ABSTRACT FROM AUTHOR]