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In the 1950s and 1960s, the modern Japanese state employed overseas cultural promotion as a way to maximise its interests and image not only in international contexts but also at home. By juxtaposing the Takarazuka Revue’s performances in the United States and Japan during the postwar period, this paper argues that the overseas promotion of this Japanese theatre troupe both depended upon and reinforced the Japanese populace’s nationalistic pride in its culture. The paper also addresses the ways in which the Japanese government used Takarazuka’s theatrical presentations as a means of pursuing its domestic and diplomatic agendas: improving Japan’s international position by proposing shared aspects of popular culture with the US and increasing its sense of nationalism by propagating cultural pride. In doing so, the paper explicates the ways in which Japanese popular cultural considerations interfaced with political concerns in the shaping of postwar Japan’s national identity. [ABSTRACT FROM PUBLISHER]

Scholars tend to overlook the overseas Chinese press as a communicative tool for Chinese nationalism. This paper takes media history as its focal point to demonstrate the contextual influences that shaped the operations of Chinese print media and gave rise to the manifestation of the overseas Chinese (huaqiao) identity in Japan. In particular, it emphasises that the mobilisation of the modern Chinese nationalism movement of the time was not the sole determinant of Chinese identity. It was also influenced by the way in which Chinese ethnic boundaries came to be shaped and reshaped in different historical periods through the dynamics between overseas Chinese communities and Japanese society. I use two overseas Chinese publications from different periods to illustrate the impacts of modern Chinese nationalism and the changing social and political context of Japan on the Chinese press. Finally, I present a synthetic narrative to account for the history of the overseas Chinese press in Japan. [ABSTRACT FROM AUTHOR]