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This paper poses a theoretical question: how, !f at all, can 'critical medical anthropology' and 'performance theory' be combined? More specifically, the author discusses the relative advantages and disadvantages of each, with respect to a healing cult in the Central Himalayas of North India. The paper has four parts: first, an ethnographic description of the cult itself second, a brief introduction to critical medical anthropology; third, a short discussion of the performative approach to healing rituals; and finally, an attempt to combine the two approaches. The author concludes that the two approaches can indeed combined, so long as one recognizes (1) that caste and gender are also appropriate objects for critical medical anthropology; and (2) that aesthetics is always already political. [ABSTRACT FROM AUTHOR]