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This paper sets out an approaching to "El crisol" and "El ángel caído", two short stories by Germán Espinosa. The critical reading is associated to the notion that the act of reading/writing is a dialogic act, in which writers exploit all the readings that are around them. The focus is on the way the reader/writer Espinosa presents a reading/writing relationship with Jorge Luis Borges and William Faulkner in those short stories. The paper provides an innovative reading of one of the most prolific Colombian authors from the second half of the 20th Century. [ABSTRACT FROM AUTHOR]

The main objective of the paper is to demonstrate the presence of Easter Island's history in Neruda's writing, mainly in The separate Rose (1972). I propose that in order to read these poems it is necessary to connect them with historic events and characters, because through those connections new readings -until now absent from nerudian criticism-may be born. [ABSTRACT FROM AUTHOR]

In this paper, I approach one of the first discursive constructions of the history of the New Spain, the poem Nuevo mundo y conquista, written by Francisco de Terrazas, a creole, in the late sixteenth century. For this, I outline the creation of a creole class, heir to the feeling of nobility of the first conquerors of America, and then I analyze the writting of Nuevo mundo y conquista in the context of these considerations. [ABSTRACT FROM AUTHOR]

This paper opens with an excursus on Spanish authors that practise Hispano-ltalian heteroglossia in their works during Pre- and Early Renaissance. In the Hispano-ltalian field, the Italian and bilingual compositions of Francisco de Figueroa play an absolute important role for the description of the event. The essay focuses on the analysis of the distinctive literary forms that heteroglossia —which in this case the author defines “literary biglossia"— takes in the Spanish poet's Italian works in relation to his own literary production in Spanish and to the Petrarchan and Italian tradition. In fact, next to writers that occasionally adopt the “other language" of the “other culture", the “biglossia" is the modality of those fully belonging to both languages and both cultures, since they experiment with forms, whether or not innovative, that mark a milestone in the development of those cultures. Different levels of analysis from metrics to meaning offer a preferential view of this anomalous artistic process, searching for the deep reasons behind a great poet's choice to write in another language. [ABSTRACT FROM AUTHOR]

Luis de Miranda, member of Pedro de Mendoza's fleet, wrote, probably around 1540, a composition in verse that is now known as Elegy Romance or simply Romance. Ricardo Rojas considered the poem to be the first literary composition of the Rio de la Plata in the early twentieth century. Since then, critics have read the Romance exclusively as a literary text. This paper proposes to read it taking into account its documentary context: the letter that Miranda himself sent to the King in 1545 and the Relación that Francisco Ortiz de Vergara sent to the Council of the Indies, at the end of which the Romance is copied. This reading, without excluding the literary dimension of the text, allows us to consider it integrating a discursive constellation whose purpose is eminently political. [ABSTRACT FROM AUTHOR]

The aim of this paper is to address the neobaroque poetry of Rio de la Plata. In this regard, I have selected the work of Susana Cella and Eduardo Espina. The cultures of the two banks of the great river produce semiotic representations and different deconstructions, where the river is vestige and joyful shine of the history of the South. [ABSTRACT FROM AUTHOR]