Search

The use of popular culture as a teaching tool is often overlooked in teaching introductory-level political science courses. In recent years, advocacy for the inclusion of popular culture in the classroom has increased due to studies that highlight the benefits of such application in combination with other teaching methods. This paper argues that the incorporation of popular music and cartoons as a combined auxiliary teaching tool is an efficient way to increase students' understanding of theoretical concepts at multiple levels and to encourage them to think unconventionally. Relating political science paradigms and theories to popular culture makes them accessible to a broad spectrum of students and ensures that students become more engaged in the classroom. Students may also be more likely to apply theoretical concepts to real-life events. In this paper, we share our observations of using popular songs and cartoons as supplementary teaching materials and methods to explain theories of international relations and comparative politics. [ABSTRACT FROM AUTHOR]

The paper aims at reflecting on ways of teaching/learning international relations (IR) critical theories. It does so by analyzing the results of a teaching/learning exercise based on Netflix's series "Black Earth Rising" and put into practice with undergraduate students of a course on IR theory taught at the Argentinian Universidad Nacional de San Martín. Assuming that series of mass consumption work as cultural devices that inform power relations through the production of truths and subjectivities, the exercise had two main objectives: on the one hand, to develop and illustrate otherwise difficult-to-grasp concepts of IR theory and, on the other hand, to make the students aware of how widespread TV series participate in the constitution of both international politics and their own subjectivities. [ABSTRACT FROM AUTHOR]

International studies students are often interested in understanding contexts of conflict and war and working with affected populations. Although various research has assessed different pedagogical tools for increasing students' understanding of war experiences and reducing the perceived distance between such populations, virtual encounters are an understudied means for achieving these aims. This article examines how a US international studies course integrated virtual dialogue sessions with Afghan students to reduce the distance between Americans and Afghans. Accordingly, we conducted pre- and post-surveys and interviews, engaged in participant observation, and analyzed reflection papers to understand how US students' views transformed from the program. We find that American students learned about the precarity and resilience of Afghans and recognized their humanity. Moreover, participants developed outgroup trust, reduced intergroup anxiety, and in some cases developed empathy for the other group. Students experienced these shifts despite technological and logistical challenges, a language barrier, and the power imbalance, which led to ethical concerns for program instructors. Thus, we argue that virtual encounters can be an effective pedagogical tool for reducing distance between international studies students and war-affected populations and helping them to connect across group differences despite the inherent challenges in such programs. [ABSTRACT FROM AUTHOR]