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Gaza, in story form. The past, present and future of a world now in ruins. Gaza's physical fabric has been shattered – but Gazans, by their very survival, preserve its culture, which persists in words, music, recipes, histories, and memories of places and happenings, as well as in each other. Daybreak in Gaza preserves the heritage that has been lost and the heritage that can never be lost. It showcases the illustrious Gazans of the past, in stories and remembrances woven among first-hand insights from Gazans today. This timely and necessary book lets us look past appalling headlines to reveal the breadth of Gaza's social landscape and the depth of its history. Daybreak in Gaza weaves to and fro across time and space, breaking the stereotypes of poverty, destruction and war to evoke place through the voices of its people. Contemporary vignettes of artists, acrobats, chefs, shopkeepers and medics rub shoulders with vivid accounts of the warriors and travellers of old, humanising Gazans as ordinary storytellers living lives rich with culture and meaning. Daybreak in Gaza satisfies a global readership's appetite to understand Gaza and Gazans as a place and people – to understand what it means to its inhabitants and to those who have come to know it. Daybreak in Gaza offers a full and rounded picture of a place at the margins of the global imagination, voiced by the people of Gaza themselves.

This book explores the rich paremiological heritage of Jibbali/Śḥərɛ̄́t, an endangered pre-literate language belonging to the Modern South Arabian sub-branch of Semitic, spoken by an ever-decreasing number of people in the Dhofar governorate of the Sultanate of Oman. Reflecting the historical value of proverbs and idiomatic expression within the documentation of a language, Giuliano Castagna analyses a sizeable share of Jibbali/Śḥərɛ̄́t proverbs, sayings and idioms from Arabic-language publications, as well as hitherto unpublished expressions that reveal undocumented features in the domains of lexicon, phonetics, phonology and morphology. Castagna's grammatical analysis (phonetic, phonological and morphological) of these pieces of folk knowledge underpins the documentation of an obsolete lexicon. It is accompanied by a brief introduction to the study of proverbs (paremiology) and a succinct grammatical sketch of Jibbali/Śḥərɛ̄́t, making the book useful both to experts and to students of these topics.

A collection of poems from a changing Bedouin world Bedouin Poets of the Nafūd Desert features poetry from three poets of the Ibn Rashīd dynasty–the highwater mark of Bedouin culture in the nineteenth century. Khalaf Abū Zwayyid, ʿAdwān al-Hirbīd, and ʿAjlān ibn Rmāl belonged to tribes based around the area of Jabal Shammar in northern Arabia. A cultural and political center for the region, Jabal Shammar attracted caravans of traders and pilgrims, tribal shaykhs, European travelers (including T.E. Lawrence), illiterate Bedouin poets, and learned Arabs. All three poets lived at the inception of or during modernity's accelerating encroachment. New inventions and firearms spread throughout the region, and these poets captured Bedouin life in changing times. Their poems and the accompanying narratives showcase the beauty and complexity of Bedouin culture, while also grappling with the upheaval brought about by the rise of the House of Saud and Wahhabism. The poems featured in Bedouin Poets of the Nafūd Desert are often humorous and witty, yet also sentimental, wistful, and romantic. They vividly describe journeys on camelback, stories of family and marriage, thrilling raids, and beautiful nature scenes, offering a window into Bedouin culture and society in the nineteenth and early twentieth centuries.A bilingual Arabic-English edition.

A scholarly edition of a classic textbook on logic Najm al-Dīn al-Kātibī's al-Risālah al-Shamsiyyah is a scholarly edition and translation of The Rules of Logic, with commentary and notes. Composed by Najm al-Dīn al-Kātibī, a scholar of the Shāfiʿī school of law, al-Risālah al-Shamsiyyah is the most widely read introduction to logic in the Arabic-speaking world. It has probably enjoyed a longer shelf-life than any other logic textbook ever written, having been in use by madrasah students from the early eighth/fourteenth century up until the present day. Building on the theories of Avicenna, al-Rāzī, and other pioneers of logic, al-Kātibī discusses the many pitfalls of building arguments and setting out unambiguous claims in natural language. The enduring nature of the text is a testament to al-Kātibī and his impact on concepts of formal discourse and argument.An Arabic edition with English scholarly apparatus.

A Sufi scholar's philosophical interpretation of the names of GodThe Divine Names is a philosophically sophisticated commentary on the names of God. Penned by the seventh-/thirteenth-century North African scholar and Sufi poet ʿAfīf al-Dīn al-Tilimsānī, The Divine Names expounds upon the one hundred and forty-six names of God that appear in the Qurʾan, including The All-Merciful, The Powerful, The First, and The Last. In his treatment of each divine name, al-Tilimsānī synthesizes and compares the views of three influential earlier authors, al-Bayhaqī, al-Ghazālī, and Ibn Barrajān.Al-Tilimsānī famously described his two teachers Ibn al-ʿArabī and al-Qūnawī as a “philosophizing mystic” and a “mysticizing philosopher,” respectively. Picking up their mantle, al-Tilimsānī merges mysticism and philosophy, combining the tenets of Akbarī Sufism with the technical language of Aristotelian, Neoplatonic, and Avicennan philosophy as he explains his logic in a rigorous and concise way. Unlike Ibn al-ʿArabī, his overarching concern is not to examine the names as correspondences between God and creation, but to demonstrate how the names overlap at every level of cosmic existence. The Divine Names shows how a broad range of competing theological and philosophical interpretations can all contain elements of the truth.A bilingual Arabic-English edition.

Internationally acclaimed Egyptian feminist writer Nawal El Saadawi's landmark novel Woman at Point Zero, published here with a new foreword.Firdaus is on death row. Her crime, the murder of a man. Born into poverty in a rural Egyptian village, her childhood dreams and ambitions had been met with neglect and abuse by the world and the men who rule it. Driven to sex work to support herself, she is faced with the moral outrage of society and the bitter knowledge that for a woman, true freedom comes only when all hope is abandoned. In Woman at Point Zero, Firdaus tells her unforgettable story.Woman at Point Zero is also available in audiobook format from audiobook retailers.

From the organizers of the Palestine Festival of Literature, this anthology of essays connects Palestinian resistance with global freedom struggles against settler colonialism and calls on us to think more concretely about the practice of solidarity. The Palestine Festival of Literature, or PalFest, was created in 2008 as “a cultural initiative committed to the creation of language and ideas for combating colonialism in the 21st century.” The annual festival brings authors from around the world to convene with readers, artists, writers, and activists in cities across Palestine for cross-pollination of radical art, ideas, and literature.These efforts resulted in Beyond Frontiers, an anthology thoughtfully arranged and introduced by PalFest cocurator Mahdi Sabbagh. Contributors include writers and scholars such as Tareq Baconi and Dina Omar, architect Mabel O. Wilson, and filmmaker Omar Robert Hamilton, among others, each bringing their diverse intellectual and geographic backgrounds to the forefront. Each piece grapples with the questions: How do we confront the need to take inevitable and often difficult political stances? How do we make sense of the destruction, uprooting, and pain that we witness? And given our seemingly impossible reality, how is mutuality constructed?

A lively and spontaneous interview with Etel Adnan about her absolute belief in the beauty of the world and the beauty of art. In these interviews with journalist and editor Laure Adler, conducted in the months before her death in November 2021, Etel Adnan traces with depth and emotion the founding experiences of her artistic approach, between poetry and painting. From her youth in Lebanon, her American years in New York and California, to her late recognition at Documenta in 2012 and her life in France, the conversation covers philosophy, painting, poetry and aesthetics, as well Adnan's views on history and politics in Europe, the Middle East, and the United States. These transcripts usher the experiences and observations of Adnan's long and rich life into an intimate and spontaneous conversation with a dear friend—a window on the “universe” of her imagination.

Employing the idea of interculturality to study Middle Eastern adaptations of Greek tragedy from the turn of 20th century until the present day, this book first explores the earlier phase of the development of Greek classical reception in Middle Eastern theatre. It then moves to focus on modern Arabic, Persian and Turkish adaptations of Greek tragedy both in the early post-colonial and contemporary periods in the MENA and in Europe. Case by case, this book examines how the classical sources are reworked and adapted, as well as how they engage with interculturality, hybridisation and the circulation of aesthetics and models. At the same time, it explores the implications and consequences of expressing socio-political concerns through classical Greek sources. While Muslim thinkers and translators introduced Greek philosophy – in particular Aristotle's Poetics – to the West in the Middle Ages, adaptations of Greek tragedies only appeared in the MENA region at the very beginning of the 20th century. For this reason, the development of Greek tragedy in the Middle East is difficult to disentangle from colonialism and cultural imperialism. Encompassing language differences and offering for the first time a broad approach on the Middle-Eastern reception of Greek tragedy, this book produces a renewed focus on a fascinating aspect of the classical tradition.

In prose that is both unflinching and lyrical, Suzi Ehtesham-Zadeh presents Zan, a collection of fourteen stories that provide a deep and nuanced view of contemporary Iranian women as they navigate a crucial moment in their nation's history.A university student strips off her hijab in the streets of Tehran and films herself as part of a daring protest movement. A wealthy Iranian woman living in Atlanta maintains a secret life as a burlesque dancer. A teenager slips out of a hotel room at night to skinny dip in the toxic Caspian Sea. An Iranian lesbian agonizes over her coming out and her father's subsequent attempts to re-educate her. These are some of the many windows Zan opens into the complex lives of Iranian women today–those who continue to suffer oppression under the Islamic Republic, those who are crafting new identities in America, and those who hover somewhere in between. Against the backdrops of the Islamic Republic and the American empire, these women grapple with the rigid standards foisted upon them and struggle to forge meaningful relationships with people who misunderstand and otherize them. Winner of the 2022 Dzanc Short Collection Prize, Zan explores feelings familiar to anyone who has ever felt marginalized or who has sought a home in a world where cultures collide and conflict.

A witty satire of the medical professionThe Doctors'Dinner Party is an eleventh-century satire in the form of a novella, set in a medical milieu. A young doctor from out of town is invited to dinner with a group of older medical men, whose conversation reveals their incompetence. Written by the accomplished physician Ibn Buṭlān, the work satirizes the hypocrisy of quack doctors while displaying Ibn Buṭlān's own deep technical knowledge of medical practice, including surgery, blood-letting, and medicines. He also makes reference to the great thinkers and physicians of the ancient world, including Hippocrates, Galen, and Socrates. Combining literary parody with social satire, the book is richly textured and carefully organized: in addition to the use of the question-and-answer format associated with technical literature, it is replete with verse and subtexts that hint at the infatuation of the elderly practitioners with their young guest. The Doctors'Dinner Party is an entertaining read in which the author skewers the pretensions of the physicians around the table.An English-only edition.

A collection of poems about nature and powerTo Ibn al-Muʿtazz and his Abbasid contemporaries, the hunt was more than a diversion—it was the theater for their poetic and political endeavors, captured here in fifty-nine Arabic hunting poems, or ṭardiyyāt. The poems of In Deadly Embrace describe hunting expeditions with animals trained to hunt, including saluki hounds and birds of prey. Many were composed after these outings, when the hunting party gathered to enjoy the game they caught. Poetry was central to Abbasid society and served as a method of maintaining networks of patronage and friendship; the poems in this collection reflect these power dynamics and allowed Ibn al-Muʿtazz—prince of the realm and in line for the caliphate—to explore his own relationship to social and political power and to demonstrate his fitness to rule.Ibn al-Muʿtazz was an influential poet and literary theorist of the Modernist school of poetry. In Deadly Embrace merges the Modernists'new techniques and styles with age-old themes: military prowess and wisdom, fitness to rule and comradeship, the camaraderie of the hunt and the cult of heroic masculinity. Groundbreaking and evocative, the poems paint vivid pictures of hunting scenes while posing deep questions about our attentiveness to the natural world and the relationship of the human to the nonhuman.A bilingual Arabic-English edition.

In this brilliant book, ʻAbdulwāḥid Lu'lu'a translates and introduces eighty poems from one of the pioneers of modern Arabic poetry, Buland Al-Ḥaidari.Buland Al-Ḥaidari might fairly be considered the fourth pillar holding up the dome of modern Arabic poetry. Alongside his famous contemporaries Nāzik al-Malā'ika, Badre Shākir Al-Sayyāb, and ‘Abdulwahhāb Al-Bayyāti, Al-Ḥaidari likewise made significant contributions to the development of twentieth-century Arabic poetry, including the departure from the traditional use of two-hemistich verses in favor of what has been called the Arabic “free verse” form.A few of Al-Ḥaidari's poems have been translated into English separately, but no book-length translation of his poetry has been published until now. In Buland Al-Ḥaidari and Modern Iraqi Poetry, ʻAbdulwāḥid Lu'lu'a translates eighty of Al-Ḥaidari's most important poems, giving English-speaking readers access to this rich corpus. Lu'lu'a's perceptive introduction acquaints readers with the contours of Al-Ḥaidari's life and situates his work in the context of modern Arabic poetry. The translated pieces not only illustrate the depth of Al-Ḥaidari's poetic imagination but also showcase the development of his style, from the youthful romanticism of his first collection Clay Throb (1946) to the detached pessimism of his Songs of the Dead City (1951). Selections are also included from his later collections Steps in Exile (1965), The Journey of Yellow Letters (1968), and Songs of the Tired Guard (1977). These poems paint a vivid picture of the literary and poetic atmosphere in Baghdad and Iraq from the mid-1940s to the close of the twentieth century.

A unique textbook of guided readings from the great works of Arabic prose for advanced level students of Classical Arabic literature From Ibn Sina to Sindbad makes some of the greatest works of the Golden Age of Arab Civilization accessible to Arabic students at the mid- to high-advanced level of proficiency, while also providing a ready curriculum for teachers of Advanced Arabic. It introduces students to classical Arabic literature through twenty guided readings of works spanning prose genres from travel writing to philosophy, science, religion, humor, and imaginative fiction, including texts by al-Jahiz, al-Kindi, Ibn Khaldun, and Ibn Rushd. Original texts are supplemented with supporting explanatory material, to make them accessible to students, who then progress through an extensive series of exercises to test their comprehension, develop interpretive and critical reading skills, and apply the linguistic structures to their own speaking and writing. Each of the twenty lessons is designed to stand alone for classroom use or individual study, making this a valuable resource for students and teachers alike.

Set in the Syrian neighborhood of al-Qaweyq, Sour Grapes is a collection of fifty-nine wry, satirical short stories loosely connected by a cast of rotating characters living at society's margins. Tamer captures their everyday lives, weaving the attendant cruelties and ironies of living under an oppressive regime with the residents'irreverence and small acts of defiance. Inspired by the heroines of Arab mythology, the women of al-Qaweyq navigate the patriarchal community with brash confidence and dark humor while the younger generation of children inherit a bitter cynicism from their fathers. Evoking under-ripened and immature fruit, the collection's title serves as a bittersweet metaphor for a world that possesses the seeds of change but is unprepared for the harvest.Considered a master of the short story, Zakaria Tamer is one of the Arab world's most prominent and widely read writers. Columbu and Capallera's fluid translation gives English readers access to Tamer's original and provocative voice.

لم تهتم اللسانيات منذ نشأتها بالظواهر فوق القِطعية بقدر اهتمامها بالظواهر القِطعية، فقد كانت معالجة الوحدات اللسانية معالجة خطية تقتصر على دراسة سلاسل الوحدات المتجاورة (القِطع الصوتية) وتأثير بعضها في بعض، ويكمن مبرر هذا التقصير في مثل الظواهر فوق القِطعية إلى الامتداد على أكثر من قطعة صوتية (حرف/حركة). فمثل هذه الظواهر ترتبط بالمستويات العليا للتنظيم اللساني مثل بناء الخبر. ويعني هذا أن البحث في مجال فوق القٍطعية بحث يشترط تغيير منطلقات التحليل. فالقِطعي وثيق الصلة بمصدر الصوت اللغوي الذي يسم التمايز بين القطع بشكل مباشر يسمح بتنظيمها ويسهل معاملتها بالرجوع إلى الصنف الذي تنتمي إليه. ففوق القِطعية أو النغمية وجهان لعملة واحدة لا يمكن تخليص أحدهما من الآخر أو إبراز الحدود الفاصلية بينهما. ونظراً للوضوح الذي يكتنف مصطلح النغمية ومفهومه مقارنة بمصطلح فوق القِطعية ومفهومها، اخترنا أن تكون النغمية مناط بحثنا والبوصلة التي تحدد توجهنا.

Hekmat Al-Taweel (1922–2008) was a native Palestinian Christian from Gaza City whose narrative unearths a version of history long excluded from mainstream discourse and provides an unfamiliar perspective on Muslim–Christian relationships. Her stories about life in Gaza highlight shared history, vibrant culture, and cherished traditions. Al-Taweel continued her education after marriage, sought community volunteer work, worked as a teacher and supervisor, and committed to activism throughout her life, all of which contradicts widespread Western orientalized stereotypes of Arab women. She also shares insights into life in Gaza during the British Mandate period as well as the 1948 Nakba and its aftermath. This is the third book in the Women's Voices from Gaza Series, which honours women's unique and underrepresented perspectives on the social, material, and political realities of Palestinian life.

A literary tour of Christian monasteries of the medieval Middle EastThe Book of Monasteries takes readers on an engaging tour of the monastic centers of the medieval Middle East, illustrated with a rich variety of poetry and prose. Starting with monasteries in Baghdad, readers are taken up the Tigris into the mountains of south-eastern Anatolia before moving to Palestine and Syria, along the Euphrates down to the old Christian center of Ḥīrah and onward to Egypt. For the literary anthologist al-Shābushtī, who was Muslim, monasteries were important sites of interactions between Abbasid elites and the Christian communities that made up about half the population of the Abbasid Empire at the time. Each section in this anthology covers a specific monastery, beginning with a discussion of its location and the reason for its name. Al-Shābushtī presents poems, anecdotes, and historical reports related to each site. He selects heroic and spectacular incidents, illustrations of caliphal extravagance, and occasions that gave rise to memorable verse. Important political personalities and events that were indirectly linked with monasteries also appear here, as do scenes of festive court life and gruesome murders. Through these accounts, al-Shābushtī offers readers a meditation on the splendor of Abbasid culture as well as moral and philosophical lessons: the ephemerality of power; the virtues of generosity and tolerance; the effectiveness of eloquence in prose and poetry; and the fleeting nature of pleasure and beauty. Translated into English for the first time, The Book of Monasteries offers an entertaining panorama of religious, political, and literary life during the Abbasid era. A bilingual Arabic-English edition.

Poems and tales of a literary forefather of the United Arab Emirates Love, Death, Fame features the poetry of al-Māyidī ibn Ẓāhir, who has been embraced as the earliest poet in what would later become the United Arab Emirates. Although little is known about his life, he is the subject of a sizeable body of folk legend and is thought to have lived in the seventeenth century, in the area now called the Emirates. The tales included in Love, Death, Fame portray him as a witty, resourceful, scruffy poet, at times combative and at times kindhearted. His poetry primarily features verses of wisdom and romance, with scenes of clouds and rain, desert migrations, seafaring, and pearl diving. Like Arabian Romantic and Arabian Satire, this collection is a prime example of Nabaṭī poetry, combining vernacular language of the Arabian Peninsula with archaic vocabulary and images dating to Arabic poetry's very origins. Distinguished by Ibn Ẓāhir's unique voice, Love, Death, Fame offers a glimpse of what life was like four centuries ago in the region that is now the UAE.An English-only edition.

A witty satire of the medical professionThe Doctors'Dinner Party is an eleventh-century satire in the form of a novella, set in a medical milieu. A young doctor from out of town is invited to dinner with a group of older medical men, whose conversation reveals their incompetence. Written by the accomplished physician Ibn Buṭlān, the work satirizes the hypocrisy of quack doctors while displaying Ibn Buṭlān's own deep technical knowledge of medical practice, including surgery, blood-letting, and medicines. He also makes reference to the great thinkers and physicians of the ancient world, including Hippocrates, Galen, and Socrates.Combining literary parody with social satire, the book is richly textured and carefully organized: in addition to the use of the question-and-answer format associated with technical literature, it is replete with verse and subtexts that hint at the infatuation of the elderly practitioners with their young guest. The Doctors'Dinner Party is an entertaining read in which the author skewers the pretensions of the physicians around the table.A bilingual Arabic-English edition.

A rich anthology of pre-Islamic and early Islamic poetry on the beauties and perils of the huntIn the poems of Fate the Hunter, many of them translated into English for the first time, trained cheetahs chase oryx, and goshawks glare from falconers'arms, while archers stalk their prey across the desert plains and mountain ravines of the Arabian peninsula. With this collection, James E. Montgomery, acclaimed translator of War Songs by ʿAntarah ibn Shaddād, offers a new edition and translation of twenty-six early works of hunting poetry, or ṭardiyyāt. Included here are poems by pre-Islamic poets such as Imruʾ al-Qays and al-Shanfarā, as well as poets from the Umayyad era such as al-Shamardal ibn Sharīk. The volume concludes with the earliest extant epistle about hunting, written by ʿAbd al-Ḥamīd al-Kātib, a master of Arabic prose. Through the eyes of the poet, the hunter's pursuit of the quarry mirrors Fate's pursuit of both humans and nonhumans and highlights the ambiguity of the encounter. With breathtaking descriptions of falcons, gazelles, and saluki gazehounds, the poems in Fate the Hunter capture the drama and tension of the hunt while offering meditations on Fate, mortality, and death.A bilingual Arabic-English edition.

Uncovering the professional secrets of con artists and swindlers in the medieval Middle EastThe Book of Charlatans is a comprehensive guide to trickery and scams as practiced in the thirteenth century in the cities of the Middle East, especially in Syria and Egypt. Al-Jawbari was well versed in the practices he describes and may have been a reformed charlatan himself. Divided into thirty chapters, the book reveals the secrets of everyone from “Those Who Claim to be Prophets” to “Those Who Claim to Have Leprosy” and “Those Who Dye Horses.” The material is informed in part by the author's own experience with alchemy, astrology, and geomancy, and in part by his extensive research. The work is unique in its systematic, detailed, and inclusive approach to a subject that is by nature arcane and that has relevance not only for social history but also for the history of science. Covering everything from invisible writing to doctoring gemstones and quack medicine, The Book of Charlatans opens a fascinating window into a subculture of beggars'guilds and professional con artists in the medieval Arab world.An English-only edition.

Abadan, 1951. Iran and Britain are bracing for battle over the continued British monopoly of Iran's oil. Twenty-nine-year-old Ebrahim Golestan, who was to become a towering figure in Iranian cinema and literature, encounters Dylan Thomas, the famous Welsh poet, who died two years later at the age of thirty-nine from bronchial disease and pneumonia. More for his celebrity than an intimate knowledge of the subject, Thomas had been sent to Iran by the Anglo-Iranian Oil Company to write a script for a propaganda film about the company's supposedly salutary role in the country. But for a few hours, Golestan and Thomas pause amidst the escalating standoff between their two countries and speak candidly about poetry, history, philosophy, and the perils of translation. Published here for the first time is the English translation (with facing pages in the original Persian) of Golestan's unflinching portrayal of that encounter, revealing, all too clearly, how unsuited Thomas was for the task in hand.Accompanying the translation is an account of Thomas's time in Iran, written by Abbas Milani, Director of the Iranian Studies Program at Stanford University, together with Alina Utrata, a Ph.D. candidate and Gates Cambridge scholar. Based on the poet's letters, journals, and archival material in England and Wales, it helps to shed further light on an episode long shrouded in mystery and plagued by controversy. Publication of this book coincides with the hundredth birthday in October 2022 of Ebrahim Golestan. To mark the occasion, Professor Milani has included a personal and erudite introductory essay on Golestan's life and work, examining his pioneering approach to film and his important contribution to Iranian literature, despite living in exile for most of his adult life. With a filmography and selected bibliography of the works by or about Golestan, this multifaceted volume offers not only a striking commentary on Iranian arts, politics, and history, set against the tense backdrop of the impending geopolitical clash between Britain and Iran, but also a commemoration of the work of one of the most eminent and influential representatives of Iranian culture in modern times.

Volume one of Taha Hussein's classic work, unabridged, and supported with robust comprehension, interpretation, and analytical exercises, for advanced learners of ArabicTaha Hussein's autobiographical novel The Days helped usher in the era of modern Arabic writing and remains one of the most influential and best-known works of Arabic literature. With this guided study, the complete first volume of the novel is accessible to students of Arabic in a way never previously available. While Arabic literature provides a vast body of texts as a window into diverse cultures and eras, the lack of useful teaching material has often forced teachers to spend much of their time creating supplemental material, rather than focusing on the exploration of literary art and themes. This study will walk Arabic students through the unabridged novel in manageable lessons, supported with robust comprehension, interpretation, and analytical exercises, focusing on the historical context, elements of literature, and social themes. This book is organized to mirror the way an experienced teacher of Arabic literature would structure the lessons, and is thus perfectly suited as a textbook for an advanced Arabic or Arabic literature class, or as an independent study package for learners.

A groundbreaking exposition of Islamic mysticismThe Essence of Reality was written over the course of just three days in 514/1120, by a scholar who was just twenty-four. The text, like its author ʿAyn al-Quḍāt, is remarkable for many reasons, not least of which that it is in all likelihood the earliest philosophical exposition of mysticism in the Islamic intellectual tradition. This important work would go on to exert significant influence on both classical Islamic philosophy and philosophical mysticism.Written in a terse yet beautiful style, The Essence of Reality consists of one hundred brief chapters interspersed with Qurʾanic verses, prophetic sayings, Sufi maxims, and poetry. In conversation with the work of the philosophers Avicenna and al-Ghazālī, the book takes readers on a philosophical journey, with lucid expositions of questions including the problem of the eternity of the world; the nature of God's essence and attributes; the concepts of “before” and “after”; and the soul's relationship to the body. All these discussions are seamlessly tied into ʿAyn al-Quḍāt's foundational argument—that mystical knowledge lies beyond the realm of the intellect.A bilingual Arabic-English edition.

Galilee has been a crossroads of cultures, religions, and languages for centuries, as illustrated in these fascinating Bedouin folktales, which offer excellent examples of the Arabic narrative tradition of the Middle East.Bedouin Folktales from the North of Israel collects nearly 60 traditional folktales, told mostly by women, that have been carefully translated in the same colloquial style in which they were told. These stories are grouped into themes of love and devotion, ghouls and demons, and animal stories. The work also includes phonetic transcription and linguistic annotation. Accompanying each folktale is a comprehensive ethnographic, folkloristic, and linguistic commentary, placing the tales in context with details on Galilee Bedouin dialects and the tribes themselves. A rich, multifaceted collection, Bedouin Folktales from the North of Israel is an invaluable resource for linguists, folklorists, anthropologists, and any reader interested in a tradition of storytelling handed down through the centuries.

In this post–Arab Spring novel, Ahmad Tarawneh tells the story of conflicting loyalties between two Jordanian brothers, one who serves in the Jordanian national security division, and another who belongs to an extremist militant Islamic group. With boldness, clarity, and an insider's eye, Tarawneh addresses the root causes and circumstances that lead a desperate young Jordanian to be recruited into a terrorist organization, tempted by the lure of glory purported by a skillful, self-serving sheikh. The novel depicts the positive and negative forces that influence the two brothers in their soul-searching quests for self-actualization that lead to more questions than answers—questions many Arab youth still ask today, while engulfed in their own raging struggles over tradition, religion, modernity, and secularism. Readers find themselves on an intimate journey into the minds and hearts of the protagonists to witness the tragedy and absurdity of this conflict and the magnitude of the human destruction it leaves behind.

Sufism through the eyes of a legal scholarIn The Requirements of the Sufi Path, the renowned North African historian and jurist Ibn Khaldūn applies his analytical powers to Sufism, which he deems a bona fide form of Islamic piety. Ibn Khaldūn is widely known for his groundbreaking work as a sociologist and historian, in particular for the Muqaddimah, the introduction to his massive universal history. In The Requirements of the Sufi Path, he writes from the perspective of an Islamic jurist and legal scholar. He characterizes Sufism and the stages along the Sufi path and takes up the the question of the need for a guide along that path. In doing so, he relies on the works of influential Sufi scholars, including al-Qushayrī, al-Ghazālī, and Ibn al-Khaṭīb. Even as Ibn Khaldūn warns of the extremes to which some Sufis go—including practicing magic—his work is essentially a legal opinion, a fatwa, asserting the inherent validity of the Sufi path.The Requirements of the Sufi Path incorporates the wisdom of three of Sufism's greatest voices as well as Ibn Khaldūn's own insights, acquired through his intellectual encounters with Sufism and his broad legal expertise. All this he brings to bear on the debate over Sufi practices in a remarkable work of synthesis and analysis.A bilingual Arabic-English edition.

«Voi avete gli orologi, noi abbiamo il tempo» recita un antico proverbio pashtun, cifra di un passato millenario che in Afghanistan sembra riproporsi sempre uguale, in un eterno presente che nasconde «delizie di invincibile incanto e orrori che lasciano senza fiato». In questa terra misteriosa epoche e influenze culturali si sono sovrapposte, fuse e intrecciate, fino ad arrivare all'Afghanistan attuale, dove ogni cosa convive con il suo contrario. Duilio Giammaria, giornalista di lungo corso, svela i segreti di questa magica e controversa terra d'avventure, che ha esplorato in oltre vent'anni di viaggi. Con il rigore dello studioso scrupoloso e il coraggio appassionato del reporter, esplora deserti sterminati e valli dalla bellezza struggente, raggiunge impervie vette montuose, consulta libri e mappe inebriato dal dolce sentore di cedro emanato dagli scaffali della biblioteca della Delegazione archeologica francese, imbocca strade insidiose a bordo di una jeep in compagnia di mujaheddin tagiki. E in ogni «missione», tutte le volte che entra in contatto con questo popolo insieme pacifico e feroce, solleva uno degli infiniti strati che rendono tanto complessa questa nazione, andando alla radice della sua ricchezza antropologica. Dall'imperatore Babur ad Alessandro Magno, dalle orde di Gengis Khan ai caravanserragli lungo la Via della seta, da tessuti e pietre preziose a moschetti decorati e kalashnikov, dai campi coltivati a papavero da oppio ai frutteti di albicocchi e peschi, tutto concorre a spiegare l'essenza di questo paese di guerrieri indomabili. Un percorso affascinante e tortuoso in uno spazio assoluto fatto di persone, politica, religione, usi e costumi locali e di una miriade di conflitti che si trascinano dall'antichità ai giorni nostri, condannando l'Afghanistan a rivivere un dramma senza fine.

Poems and tales of a literary forefather of the United Arab EmiratesLove, Death, Fame features the poetry of al-Māyidī ibn Ẓāhir, who has been embraced as the earliest poet in what would later become the United Arab Emirates. Although little is known about his life, he is the subject of a sizeable body of folk legend and is thought to have lived in the seventeenth century, in the area now called the Emirates. The tales included in Love, Death, Fame portray him as a witty, resourceful, scruffy poet, at times combative and at times kindhearted.His poetry primarily features verses of wisdom and romance, with scenes of clouds and rain, desert migrations, seafaring, and pearl diving. Like Arabian Romantic and Arabian Satire, this collection is a prime example of Nabaṭī poetry, combining vernacular language of the Arabian Peninsula with archaic vocabulary and images dating to Arabic poetry's very origins. Distinguished by Ibn Ẓāhir's unique voice, Love, Death, Fame offers a glimpse of what life was like four centuries ago in the region that is now the UAE.A bilingual Arabic-English edition.

Named a Michigan Notable Book for 2023! Gold Medal Winner in the Midwest Independent Publisher Awards! Next Generation Indie Book Award Winner! Eric Hoffer Book Award Winner! Society of Midland Authors Award Winner! 2023 Arab American Book Award Winner! Hadha Baladuna ('this is our country') is the first work of creative nonfiction in the field of Arab American literature that focuses entirely on the Arab diaspora in Metro Detroit, an area with the highest concentration of Arab Americans in the US. Narratives move from a young Lebanese man in the early 1920s peddling his wares along country roads to an aspiring Iraqi-Lebanese poet who turns to the music of Tupac Shakur for inspiration. The anthology then pivots to experiences growing up Arab American in Detroit and Dearborn, capturing the cultural vibrancy of urban neighborhoods and dramatizing the complexity of what it means to be Arab, particularly from the vantage point of biracial writers. Included in these works is a fearless account of domestic and sexual abuse and a story of a woman who comes to terms with her queer identity in a community that is not entirely accepting. The anthology concludes with explorations of political activism dating back to the 1960s and Dearborn's shifting demographic landscape. Hadha Baladuna: Arab American Narratives of Boundary and Belonging contains stories of immigration and exile by following newcomers'attempts to assimilate into American society. Editors Ghassan Zeineddine, Nabeel Abraham, and Sally Howell have assembled a cast of emerging and established writers from a wide array of communities, including cultural heritages originating from Lebanon, Palestine, Iraq, and Yemen. The strong pattern in Arab Detroit today is to oppose marginalization through avid participation in almost every form of American identity-making. This engaged stance is not a byproduct of culture, but a new way of thinking about the US in relation to one's homeland.

The adventures of the man who created AladdinThe Book of Travels is Ḥannā Diyāb's remarkable first-person account of his travels as a young man from his hometown of Aleppo to the court of Versailles and back again, which forever linked him to one of the most popular pieces of world literature, the Thousand and One Nights. Diyāb, a Maronite Christian, served as a guide and interpreter for the French naturalist and antiquarian Paul Lucas. Between 1706 and 1716, Diyāb and Lucas traveled through Syria, Cyprus, Egypt, Tripolitania, Tunis, Italy, and France. In Paris, Ḥannā Diyāb met Antoine Galland, who added to his wildly popular translation of the Thousand and One Nights several tales related by Diyāb, including “Aladdin” and “Ali Baba and the Forty Thieves.” When Lucas failed to make good on his promise of a position for Diyāb at Louis XIV's Royal Library, Diyāb returned to Aleppo. In his old age, he wrote this engaging account of his youthful adventures, from capture by pirates in the Mediterranean to quack medicine and near-death experiences.Translated into English for the first time, The Book of Travels introduces readers to the young Syrian responsible for some of the most beloved stories from the Thousand and One Nights.An English-only edition.

The author demonstrates sophisticated knowledge and understanding of Kurdish history and of postcolonial, poststructuralist, and related literary theories. This book gives rich contextual detail about Turkish, Iranian, and Iraqi nation states, in which Kurds live and where, the author argues, they are systematically oppressed. The central argument in the book is that the Kurds represent an Orient within, and one that has been neglected in literary studies till now. The book places postcolonial theory in dialogue with literary critical depictions of Kemalist, Persian, and Ba'athist nationalisms in modern Turkey, Iran, and Iraq. It is argued that the ‘adaptive modernities'of these states, constituted by Western modernity in the Middle Eastern context, embody Western colonialism in miniature. It argues that the Kurds are rendered colonial subjects within the borders of these states as portrayed by the texts under study. This book interrogates the polarizing ideology of nationhood which underpins these nation-states'modernity and explores how the Kurds are inferiorized; it examines the ways in which Kurdish literary characters are oppressed and liquidated by means of the inhumane laws of state sovereignty and the ways in which they are rendered homeless within and beyond these countries; and it explores literary depictions of nationalist patriarchy, which exploits women in general and Kurdish women in particular.

In its first edition, this book was a new opening in the study of the Arabian Nights as an index of literary taste, a case study for the engagements of poets and writers, along with the common reading public, with an art that took Europe by surprise, and forced new patterns of response and writing. Borges thought of its advent as a dynamic that helped generate the romantic mode and sensibility. It certainly disturbed old habits of thought and made significant cultural inroads throughout European cultures. Almost no one in 18th-19th century literatures remained oblivious to that sweeping phenomenal appearance. The book analyzes and studies modes and patterns of reading, response, engagement, commentary, translations, claims to authentication, abridgements, and illustrations. It focuses on debates and controversies around the Arabian Nights, and shows how these happened to be at the center of a growing colonial culture. This book can never lose its significance for students, scholars, and general readership, not only in the field of comparative and cultural studies, English and French departments, but also in postcolonial studies and the basics of narrative and narratology.

Flora, fauna, and famine in thirteenth-century Egypt A Physician on the Nile begins as a description of everyday life in Egypt at the turn of the seventh/thirteenth century, before becoming a harrowing account of famine and pestilence. Written by the polymath and physician ʿAbd al-Laṭīf al-Baghdādī, and intended for the Abbasid caliph al-Nāṣir, the first part of the book offers detailed descriptions of Egypt's geography, plants, animals, and local cuisine, including a recipe for a giant picnic pie made with three entire roast lambs and dozens of chickens. ʿAbd al-Laṭīf's text is also a pioneering work of ancient Egyptology, with detailed observations of Pharaonic monuments, sculptures, and mummies. An early and ardent champion of archaeological conservation, ʿAbd al-Laṭīf condemns the vandalism wrought by tomb-robbers and notes with distaste that Egyptian grocers price their goods with labels written on recycled mummy-wrappings. The book's second half relates his horrific eyewitness account of the great famine that afflicted Egypt in the years 597–598/1200–1202. ʿAbd al-Laṭīf was a keen observer of humanity, and he offers vivid first-hand depictions of starvation, cannibalism, and a society in moral free-fall. A Physician on the Nile contains great diversity in a small compass, distinguished by the acute, humane, and ever-curious mind of its author. It is rare to be able to hear the voice of such a man responding so directly to novelty, beauty, and tragedy.An English-only edition.

Introducing Judeo-Persian writings, this original collection gives parallel samples in Judeo-Persian and Perso-Arabic script and translations in English. Judeo-Persian writings not only reflect the twenty-seven centuries of Jewish life in Iran, but they are also a testament to their intellectual, cultural, and socioeconomic conditions.Such writings, found in the forms of verse or prose, are flavored with Judaic, Iranian and Islamic elements. The significant value of Judeo-Persian writing is found in the areas of linguistics, history and sociocultural and literary issues. The rhetorical forms and literary genres of epic, didactic, lyric and satirical poetry can be a valuable addition to the rich Iranian literary tradition and poetical arts. Also, as a Judaic literary contribution, the work is a representation of the literary activity of Middle Eastern Jews not so well recognized in Judaic global literature.This book is a comprehensive introduction to the rich literary tradition of works written in Judeo-Persian and also serves as a guide to transliterate many other significant Judeo-Persian works that have not yet been transliterated into Perso-Arabic script. The collection will be of value to students and researchers interested in history, sociology and Iranian and Jewish studies.

Wide-ranging essays on Moroccan history, Sufism, and religious life Al-Ḥasan al-Yūsī was arguably the most influential and well-known Moroccan intellectual figure of his generation. In 1084/1685, at the age of roughly fifty-four, and after a long and distinguished career, this Amazigh scholar from the Middle Atlas began writing a collection of short essays on a wide variety of subjects. Completed three years later and gathered together under the title Discourses on Language and Literature (al-Muhadarat fi l-adab wa-l-lughah), they offer rich insight into the varied intellectual interests of an ambitious and gifted Moroccan scholar, covering subjects as diverse as genealogy, theology, Sufism, history, and social mores. In addition to representing the author's intellectual interests, The Discourses also includes numerous autobiographical anecdotes, which offer valuable insight into the history of Morocco, including the transition from the Saadian to the Alaouite dynasty, which occurred during al-Yūsī's lifetime. Translated into English for the first time, The Discourses offers readers access to the intellectual landscape of the early modern Muslim world through an author who speaks openly and frankly about his personal life and his relationships with his country's rulers, scholars, and commoners.An English-only edition.

Timeless fables of loyalty and betrayal Like Aesop's Fables, Kalīlah and Dimnah is a collection designed not only for moral instruction, but also for the entertainment of readers. The stories, which originated in the Sanskrit Panchatantra and Mahabharata, were adapted, augmented, and translated into Arabic by the scholar and state official Ibn al-Muqaffaʿ in the second/eighth century. The stories are engaging, entertaining, and often funny, from “The Man Who Found a Treasure But Could Not Keep It,” to “The Raven Who Tried To Learn To Walk Like a Partridge” and “How the Wolf, the Raven, and the Jackal Destroyed the Camel.” Kalīlah and Dimnah is a “mirror for princes,” a book meant to inculcate virtues and discernment in rulers and warn against flattery and deception. Many of the animals who populate the book represent ministers counseling kings, friends advising friends, or wives admonishing husbands. Throughout, Kalīlah and Dimnah offers insight into the moral lessons Ibn al-Muqaffaʿ believed were important for rulers—and readers.A bilingual Arabic-English edition.

Questions and answers from two great philosophersWhy is laughter contagious? Why do mountains exist? Why do we long for the past, even if it is scarred by suffering? Spanning a vast array of subjects that range from the philosophical to the theological, from the philological to the scientific, The Philosopher Responds is the record of a set of questions put by the litterateur Abū Ḥayyān al-Tawḥīdī to the philosopher and historian Abū ʿAlī Miskawayh. Both figures were foremost contributors to the remarkable flowering of cultural and intellectual life that took place in the Islamic world during the reign of the Buyid dynasty in the fourth/tenth century.The correspondence between al-Tawḥīdī and Miskawayh holds a mirror to many of the debates of the time and reflects the spirit of rationalistic inquiry that animated their era. It also provides insight into the intellectual outlooks of two thinkers who were divided as much by their distinctive temperaments as by the very different trajectories of their professional careers. Alternately whimsical and tragic, trivial and profound, al-Tawḥīdī's questions provoke an interaction as interesting in its spiritedness as in its content.An English-only edition.

The adventures of the man who created AladdinThe Book of Travels is Ḥannā Diyāb's remarkable first-person account of his travels as a young man from his hometown of Aleppo to the court of Versailles and back again, which forever linked him to one of the most popular pieces of world literature, the Thousand and One Nights. Diyāb, a Maronite Christian, served as a guide and interpreter for the French naturalist and antiquarian Paul Lucas. Between 1706 and 1716, Diyāb and Lucas traveled through Syria, Cyprus, Egypt, Tripolitania, Tunis, Italy, and France. In Paris, Ḥannā Diyāb met Antoine Galland, who added to his wildly popular translation of the Thousand and One Nights several tales related by Diyāb, including “Aladdin” and “Ali Baba and the Forty Thieves.” When Lucas failed to make good on his promise of a position for Diyāb at Louis XIV's Royal Library, Diyāb returned to Aleppo. In his old age, he wrote this engaging account of his youthful adventures, from capture by pirates in the Mediterranean to quack medicine and near-death experiences.Translated into English for the first time, The Book of Travels introduces readers to the young Syrian responsible for some of the most beloved stories from the Thousand and One Nights.A bilingual Arabic-English edition.

Flora, fauna, and famine in thirteenth-century EgyptA Physician on the Nile begins as a description of everyday life in Egypt at the turn of the seventh/thirteenth century, before becoming a harrowing account of famine and pestilence. Written by the polymath and physician ʿAbd al-Laṭīf al-Baghdādī, and intended for the Abbasid caliph al-Nāṣir, the first part of the book offers detailed descriptions of Egypt's geography, plants, animals, and local cuisine, including a recipe for a giant picnic pie made with three entire roast lambs and dozens of chickens. ʿAbd al-Laṭīf's text is also a pioneering work of ancient Egyptology, with detailed observations of Pharaonic monuments, sculptures, and mummies. An early and ardent champion of archaeological conservation, ʿAbd al-Laṭīf condemns the vandalism wrought by tomb-robbers and notes with distaste that Egyptian grocers price their goods with labels written on recycled mummy-wrappings.The book's second half relates his horrific eyewitness account of the great famine that afflicted Egypt in the years 597–598/1200–1202. ʿAbd al-Laṭīf was a keen observer of humanity, and he offers vivid first-hand depictions of starvation, cannibalism, and a society in moral free-fall.A Physician on the Nile contains great diversity in a small compass, distinguished by the acute, humane, and ever-curious mind of its author. It is rare to be able to hear the voice of such a man responding so directly to novelty, beauty, and tragedy.A bilingual Arabic-English edition.

The adventures of the man who created AladdinThe Book of Travels is Ḥannā Diyāb's remarkable first-person account of his travels as a young man from his hometown of Aleppo to the court of Versailles and back again, which forever linked him to one of the most popular pieces of world literature, the Thousand and One Nights. Diyāb, a Maronite Christian, served as a guide and interpreter for the French naturalist and antiquarian Paul Lucas. Between 1706 and 1716, Diyāb and Lucas traveled through Syria, Cyprus, Egypt, Tripolitania, Tunis, Italy, and France. In Paris, Ḥannā Diyāb met Antoine Galland, who added to his wildly popular translation of the Thousand and One Nights several tales related by Diyāb, including “Aladdin” and “Ali Baba and the Forty Thieves.” When Lucas failed to make good on his promise of a position for Diyāb at Louis XIV's Royal Library, Diyāb returned to Aleppo. In his old age, he wrote this engaging account of his youthful adventures, from capture by pirates in the Mediterranean to quack medicine and near-death experiences. Translated into English for the first time, The Book of Travels introduces readers to the young Syrian responsible for some of the most beloved stories from the Thousand and One Nights.A bilingual Arabic-English edition.

Diverse approaches to sensoria in Persian literature. We experience art with our whole bodies, yet traditional approaches to Persian literature overemphasize the mind—the political, allegorical, or didactic—and ignore the feelings that uniquely characterize aesthetics. Losing Our Minds, Coming to Our Senses rediscovers the sensuality of Persian art across period, genre, and artist. Through readings of such well-known writers as Rumi and lesser-known artists as Hossein Abkenar, the authors demonstrate the significance of sensoria to the rich history of Persian letters.

The collection of essays assembled in this volume addresses the models of divine and practical wisdom in some of the earlier Arabic prose texts passed down to us. All essays were initially presented and discussed at an international conference held at the Freie Universität Berlin in October 2014. More than isolated case studies, the contributions offer ground-breaking new research on essential works and figures of the early translation movement (from Greek, Syriac and Middle-Persian into Arabic). They also address, from the viewpoints of intertextuality and philology, the dissemination process of innovative syntheses elaborated by original medieval thinkers.

Uncovering the professional secrets of con artists and swindlers in the medieval Middle East The Book of Charlatans is a comprehensive guide to trickery and scams as practiced in the thirteenth century in the cities of the Middle East, especially in Syria and Egypt. Al-Jawbarī was well versed in the practices he describes and may have been a reformed charlatan himself. Divided into thirty chapters, the book reveals the secrets of everyone from “Those Who Claim to be Prophets” to “Those Who Claim to Have Leprosy” and “Those Who Dye Horses.” The material is informed in part by the author's own experience with alchemy, astrology, and geomancy, and in part by his extensive research. The work is unique in its systematic, detailed, and inclusive approach to a subject that is by nature arcane and that has relevance not only for social history but also for the history of science. Covering everything from invisible writing to doctoring gemstones and quack medicine, The Book of Charlatans opens a fascinating window into a subculture of beggars'guilds and professional con artists in the medieval Arab world.An English-only edition.

Voices of Freedom: The Middle East and North Africa showcases essays from activists, journalists, novelists, and scholars whose areas of expertise include free speech, peace and reconciliation, alterity-otherness, and Middle Eastern and North African religions and literatures. Co-edited by TCU colleagues Rima Abunasser and Mark Dennis, the volume is meant to serve as a vehicle for giving dignity and depth to the peoples of these regions by celebrating courageous voices of freedom trying to respond to fundamental, often devastating, changes on the ground, including the Arab Spring, the Syrian refugee crisis, and the rise of the Islamic State. Writing in both the first- and third-person, essayists offer deeply moving portraits of voices that cry out for freedom in chaotic, and often violent, circumstances. Voices of Freedom is aimed at college classes that address the many ways in which freedom intersects with politics, religion, and other elements in the societies of these dynamic and diverse regions. It will serve as a valuable primary source for college teachers interested in exploring with their students the struggle for freedom in non-Western and transnational cultural contexts. The volume is also meant to attract other audiences, including readers from the general public interested in learning about inspirational people from parts of the world about which Americans and other English-speaking peoples are generally unfamiliar.

Sahbaa Al-Barbari's story provides a unique perspective on Palestinian experiences before and after the 1948 Nakba. Born and educated in Gaza, Al-Barbari was an activist in her community. When Israel occupied the Gaza Strip in 1967, Al-Barbari and her husband Mu'in Bseiso became refugees, stripped of their residency rights and forced to live in exile for the next three decades. While in exile, moving from Lebanon to Syria, Libya, Kuwait, Egypt, and finally Tunisia, Al-Barbari held tight to her hope of one day returning to Gaza. Her life speaks volumes about the struggle experienced by millions of disenfranchised Palestinians, separated from family members and their homeland. This is the second book in the Women's Voices from Gaza series, which honours women's unique and underrepresented perspectives on the social, material, and political realities of Palestinian life.

A masterpiece of Arabic love poetry in a new and complete English translationThe Translator of Desires, a collection of sixty-one love poems, is the lyric masterwork of Muhyiddin Ibn ‘Arabi (1165–1240 CE), one of the most influential writers of classical Arabic and Islamic civilization. In this authoritative volume, Michael Sells presents the first complete English translation of this work in more than a century, complete with an introduction, commentary, and a new facing-page critical text of the original Arabic. While grounded in an expert command of the Arabic, this verse translation renders the poems into a natural, contemporary English that captures the stunning beauty and power of Ibn ‘Arabi's poems in such lines as “A veiled gazelle's / an amazing sight, / her henna hinting, / eyelids signalling // A pasture between / breastbone and spine / Marvel, a garden / among the flames!”The introduction puts the poems in the context of the Arabic love poetry tradition, Ibn ‘Arabi's life and times, his mystical thought, and his “romance” with Niẓām, the young woman whom he presents as the inspiration for the volume—a relationship that has long fascinated readers. Other features, following the main text, include detailed notes and commentaries on each poem, translations of Ibn ‘Arabi's important prefaces to the poems, a discussion of the sources used for the Arabic text, and a glossary.Bringing The Translator of Desires to life for contemporary English readers as never before, this promises to be the definitive volume of these fascinating and compelling poems for years to come.

Master's Thesis from the year 2020 in the subject Literature - Middle East, Université Sorbonne Nouvelle Paris III, language: English, abstract: This research studies the tale'Gol o Nowruz'in the field of the literary genre of'mirror for princes'. This study reveals the differences between various texts of advice in the field of spiritual purification for the prince. We try to define the new concept of the spiritual mirror for princes by examining different stages of the spiritual journey in the author's work. The author's work is more than a list of advice for kings. He represents the practical solutions for spiritual dimensions and their origins. His work is about the methods of entering the heavenly gates, and he considers the connection with the secrets of existence as the duty of the heart and love. He considers the wisdom as the main guide to the right way. The poet invites man to look at an order greater than ours, of which we are a part. By looking at spring and the earth, man learns that nature performs a cycle that shows the power of light and the sun. This is the perception of the value of harmony that creates beauty. The poet invites to the understanding of nature's law in spring, and he leads to the true peace that is possible with love to find a way to achieve true happiness by using the reason. However, he does not suggest using reason to learn and understand the love for worldly purposes. Rather, he invites using the heart to learn reason's aspects for celestial purposes. The main goal is love and not reason, but wisdom shows the way to reach true love. The connection between reason and love leads to true happiness because the true connection between them leads to the understanding of truth. The knowledge brings happiness because it is made of light, and ignorance is like a demon that leads to the darkness.